Oscillate Wildly

2011-07-13T03:54:00.000-07:00

Want music reviews, silly news and updates?
Check out my new blog here!

Papa VS Pretty - United In Isolation review

2011-06-13T01:24:00.001-07:00

'Life's Got A Hold On Me' is a perfect electric kick-off to United In Isolation. It gets you ready for an epic and rocking journey with its enigmatic riff fused with a taste of the lyrical depth you can expect to explore throughout the record.
United In Isolation moves effortlessly into its second offering which is sure hit 'One of the Animals'. Still on a roll of pure energy, the transition is almost perfect. This song is possibly going to be the greatest radio track from the record.
'Charity Case' is a little eerie to start with. At first you feel like you've stepped into a twilight zone full of spinning clocks and swirls only to be hit with a tasty riff before the song slows into the first verse. Your first impression is 'where is this going and do these different elements work?' but somehow it all comes together for the chorus and all these themes marry perfectly. Rawle has the ability to match lyrical depth with a rocking vision of what a commercially feasible track should sound like without sounding too "Nova."
Unfortunately every album has its filler tracks, and Papa VS Pretty are able to supply one of the shiner fillers around but 'Look For Me' serves as this nonetheless. Having personally witnessed a lot of Rawle's back catalog of songwriting and previous EP work, this track could have easily been 'Shoot' or the beautiful 'I Still Believe In Us'. In saying this, it suits the record and isn't a stinker by any means.
'Honey' is another great pop/rock number. Having seen this track live I can argue the energy it creates, although it seems a simple song format with an incredible solo it really takes off towards the end. You can't judge the face value of this song, it really does resonate after a few plays.
United In Isolation harbours an energy of romance and ultimately rejection in its presence with themes of anger. Someone mentioned to me that they didn't know these three guys could be so vicious; fact is I knew it and 'Conquistador' is no exception to that. It's catchy, straight-up and ends breathlessly. This contrasts greatly with the more mellow ballad 'I Felt Nothing' which delicately slows the tempo of the record and gives us a more intimate perception of Papa VS Pretty. It's here we can really hear the influence Jeff Buckley has on Rawle. These two tracks marry love and war and we can see the conflict between the emotions behind the songwriting. This is one of my personal favourites from the record.
Clever enough to know not to let a sad note linger, the boys ascend us into 'Darkest Way' which sounds like an upbeat happy song but when you listen closely, it's more than that. This song seems to be a about very intimate friendship that never quite culminates into what you'd expect. I like this song because it's an example of what Papa VS Pretty do best and that's disguising deeper meaning with catchy as hell hooks. They're not happy and they're not sad, if you will.
The first time I heard 'Bitter Pill' I felt it was just another perfect example of Rawle's vocal range. The pacing of this song is perfect as it builds into its unique power, housing another Prince'esque solo. My favourite part of this track comes at the very end where we hear a new element on the record; it's what appears to be a fusion of news broadcasts and televisions voices hauntingly at war through a static. I like when bands exercise different recording materials into their music because it's really hit or miss. Being a fan of Brand New's Daisy opener, this technique sat well with me and it finishes 'Bitter Pill' in an interesting tone, it makes you want to re-listen to see if you missed something.
United In Isolation starts to wind down with 'Suit and Burn'. We get to explore again some vicious lyrics as vocals snarl, "Do your worst 'cause I can take it!". It's safe to say Papa VS Pretty can write a solid harmony no matter the mood of the song. This song also seems to be very experimental with mixing techniques.
The last impression of this album is 'You Are Not In Love Anymore' and it seems like this has been a journey of lust, love and jaded heartbreak. This track is perfect. It completely captures what it's like to be young and have your passion fall by the wayside of someone you adore. The fancy circus de weird outro is an interesting closure but to me it displays the A.D.D in this group and the ability of being able to command so many sounds. These lads have to be careful not to cram too many techniques into one record lest they sound like they're over-doing it. That hasn't happened here but I'm sure there were a lot of ideas that wanted to be heard here.
For a debut album United In Isolation is choc full of raw emotion and serves as a break-up record you could rock out to and on of the more impressive Aussie LP's I've heard this year.

Slow News Day

2011-05-20T01:19:00.001-07:00

Is it so much to ask that all digital media music outlets in Australia maybe don't steal their stories from NME? There's not one Australian media source that actually breaks stories. Yes, we're an over sized remote island on the flip side of nowhere and no one particularly gives a shit about us, but why can't we do better?
My main source of music news in AU terms is usually fasterlouder.com.au and it is pretty handy. Every now and then someone gets bored at HQ and makes a photo slide of 'relevant moments in music' which they have essentially ripped off from another site six months passed published.. But in terms of Australian news and sideshow info, they seem to deliver. Others find solace in themusicnetwork.com but I don't fancy being up to date with Gabriella Cilmi anymore than I like sampling a selection of anal probes. They have also proven as Splendour in the Grass' buttboy when it comes to issuing bullshit press pieces about why no one gives a crap this year.
Another website I don't mind is www.pedestrian.tv -- now this isn't a TV channel or real source of audiovisual entertainment but it's a nice collective of music, street art and pop culture updates. The editorial is witty and sometimes essence of hipsterrunoff.com but the html is all kinds of fucked up and drowning in oversold ad space. It's also infrequently updated through the week and isn't above sneaky ploys to gain extra web traffic eg. that facebook scam where a massive hack went down telling you to vote for some bitch - pedestrian banked web numbers by posting an article claiming to have info on the individual behind the scam, only to be asking a rhetorical question. We'd been had and their advertiser made cash dollars.
So what do we do? Do we resort to our local street press website which is updated a regularly as your 28 day cycle or just wait for your once a week press?
Print is dead and I'll stand by it but the Internet is as sprightly as ever so why are we missing out?

OWM ‘Best of 2010’

2010-12-15T04:47:00.000-08:00

So, I’ve mad a list of my personal high rotations for this year.

This isn’t to say that these are the most critically acclaimed works but more what I have enjoyed the most, I can’t be bothered to re-list a Pitchfork countdown to appear noble amongst hipster folk, Take it or leave it, this is what I’ve been listening to this year.

TOP 5 ALBUMS OF 2010

High Violet - The National
My Beautiful Dark Twisted Fantasy - Kanye West
The Suburbs - Arcade Fire
The Fool - Warpaint
Halcyon Digest - Deerhunter

Close but no cigar: Belle and Sebastian - Write About Love, Tame Impala - InnerSpeaker, FOALS - Total Life Forever, Broken Social Scene - Forgiveness Rock Record and many more I’ve acquired too late to really fall in love with just yet.

TOP 5 SONGS OF 2010

Conversation 16 - The National
Ready To Start - Arcade Fire
You Got the Dirtee Love - Florence and the Machine feat. Dizzee Rascal
Hell of a Life - Kanye West
Eyes Wide Open - Gotye

Close but no cigar: Heavy Harm - Papa VS Pretty, Suburban War - Arcade Fire, Whip My Hair - Willow Smith (or the Neil Young and Boss cover), I’m Not In Love - Crystal Castles feat. Robert Smith, Fuck You - Cee Low Green

Dude, Stonefield.

2010-12-01T19:40:00.000-08:00

If there is anything you should do this year, it's catching tween girl band Stonefield.
I caught them last night, I died. So talented. THERE WAS BASS SLAPPING AND TAPPING!
Yeah, it's like Jefferson Airplane but going through puberty!
Find a way.

Single of the Week

2010-11-22T02:41:00.000-08:00

You might imagine the variety of demos my inbox delivers and though some songs just take a few listens before the music really takes hold, I know a hit when I stumble across one. Today the debut single 'Exit The System' from Brisbane's threesome The Moniters landed safely in my hands and I am one happy little blogger.

The Moniters are comprised of frontman Jimi Lucas, drummer Matt Schrader and bassist Barney Gickel, the three band members met at a Killers concert a few years ago and have been recording demos with Jack and cigarettes ever since. This year the lads have been working closely with Melbourne based producer Forrester Savell (Dead Letter Circus, Birds of Tokyo) stringing together their debut EP 'Sex City Lovers' due out in 2011.

My first thoughts of 'Exit The System' was that the track is dirty, sexy and electric. The more I listen to the verses, the more I hear elements of Paul Banks in Lucas's vocals, it's quick and immediately catchy. Quite personally, I'm not the biggest 'electro' fan but this sound is a step in the right direction for electro rock. More rock than "magic fountain", The Moniters deliver a little bit more edge into this saturated market.

Give the track a spin and also check The Moniters east coast tour dates riiight here.

2010-11-17T20:59:00.000-08:00

Bob Dylan once said, "The times they are a changin'..", and even though Bruce Springsteen and Neil Young are music giants from our Dad's day, they don't seem to have any issue with keeping up to date with what's, erm, fresh? The two genius's (well, one was Jimmy Fallon dressed as Young) recently schooled the elementary aged Willow Smith by rearranging the mega hit 'Whip My Hair'. A hit is a hit, no matter what you do with it.
Get schooled, old school.

Farewell Powderfinger

2010-11-14T19:58:00.000-08:00

Alright, so I'm not going to lie.. Somewhere in my room back at home, amongst all my discarded PJ pants three sizes too small and polly pockets lies a Powderfinger record or two. I'm by no means their greatest fan. I saw them twice, once at BDO and at that Silverchair double show they did years ago, both times I was greatly underwhelmed. I should have been stoned.
I'm sitting back as the Australian media swarms at the ankles of "Aussie rock gods" now Powderfinger have finally split (two records later than they should have). The Brisbane band played their last set ever (John Farhnam, anyone?) yesterday and everyone is acting like it's Crowded House on the Opera House steps again. I am not going to say they didn't write some good songs over the years but I have to say their generic charm was long lost on me post 'Vulture Street' and my year ten certificate.
I think it's a perfect example of "It's better to burn out, than fade away." I am sure we will be treated to a slew of solo work and more hits than your trades Ute can handle.
I think the point I am trying to make is that Powderfinger will not be missed by me and though I respect their past work, I really think that Australian music scene is sick if our biggest export is just another state band doing regional tours for fifteen years.

If You Believe.

2010-11-10T22:01:00.000-08:00

There are just some bands I believe in and I like to put all my energy into them until everyone I know has given them a spin. I've done it with Papa VS Pretty and Parades who are now busy crafting and delivering records and I'm still doing it with Cameras. These three local Sydney acts captivated me years ago and I am yet to lose interest as they continue to not only wow me but make a difference in the Aussie music scene.

Cameras just recently played here in Melbourne and despite the large amount of rookie errors that come along with having your guitar smashed up by Qantas, the trio + bass stand-in put on a perfect southern show. The soulful Sydney kids were here to promote their perfectly crafted debut E.P which is available NOW through all decent digital retailers.

However I've left you a sample of my favourite track off of this perfect six song package and it's a track titled 'Break/Hands'. It's honestly one of the most beautifully sung tracks I've come across the last few months. It's soulful in a sense of morose bliss but incredibly infectious. Check it out here. Girl can sing.

Also, it's not just my eye that's been caught by devilishly talented Cameras, there are a lot of international whispers and a few rumblings in the festival underground. Stay posted!

Vote Your Blogger A Trip Overseas

2010-11-08T21:28:00.000-08:00

I won't spam this, but if you're a follower I'd love for you to support us in getting a rad opportunity to travel overseas to get our blog on. I'm not a hugely competitive person but this would mean the world to me to even try!

Click here to vote for me to travel with Channel V!

Your support would be amazing!

My Debut @ Beat TV

2010-11-08T20:05:00.000-08:00

So, I mentioned briefly I was doing some presenting work with Beat TV here in Melbourne and you can actually catch my first interview with Australian artist Ryan Meeking.

All you need to do is visit www.beat.com.au and select Beat TV and that's where you will find my first on-camera foray. It's not amazing, and I have a long way to go but this is the transition from behind screen to onscreen.

My Favourite Album This Month - Belle & Sebastian - 'Write About Love'

2010-11-08T19:00:00.000-08:00

Over my years of avid music listening, Belle & Sebastian have been referred, recommended and preached over and over. It might not shock you to know I am terribly stubborn. If one band is pushed so far, I will probably just avoid it, though this time I did have my reasons.

Let me take you back to a Petersham bedroom rented by five boys in 2008. I was sleeping with another music blogger/pseudo pianist and this was long before I'd even started this blog. I used to wake up in his single bed which resembled a hospital bed, to the happiest music every single morning. I am not a morning person, I am a miserable person until at least 7pm at night so when I wake up you're lucky to even get The Cure out of me most mornings because even that can sound too happy to me.

"What is this?"
"Old Belle & Sebastian."
"It's too happy"
"Figured you'd say that" - Picks up keys, walks out of the room.

So, I guess ever since then, even after High Fidelity and 500 Days of Summer references, I couldn't get interested. I know of all their classics and I know a lot of musical elitists and muses I follow really love them but it wasn't until I saw 'Write About Love' in my Uncles music folder, that I decided to give them a spin almost three years later. Safe to say my love affair with said blogger too faded in these years, maybe weeks after, bless youth.

The cover art reminds me of that of the 'Louder Than Bombs' Smiths record, you know the one featuring British playwright Shelagh Delaney at the ripe age of 19, cigarette in hand. Anyway, the first track is 'I Didn't See It Coming' and it sounds happy, upbeat, I mean it isn't Matt Berninger from The National singing baritone lullabies of misery but there are (no pun intended) moments of lyrical sinister. It was exactly what I expected at the same time as it wasn't at all. I was impressed. From the first lines of, "Make me dance/ I want to surrender", I had done just that alone in my kitchen. I was cooking and suddenly there was, I guess, a bit of a rhythm in my pancake making from that point on.

'Write About Love' then slips into one of my favourite songs on the album, 'Come On Sister', which follows the album recipe of starting with something big, then taking it up a notch and again to the formula Mr Nick Hornby describes of making a mixtape, you have to cool it down it a bit, 'Not blow your wad right away' and the tempo drops to a romantic ballad 'Calculating Bimbo' which is actually bitterly sweet.

'I Want The World To Stop' is an incredibly catchy in that pop-repetitive way and I guess there's that element of The Smiths in saying something depressing in a cheerful manner, that I can appreciate. 'Little Lou, Ugly Jack, Prophet John' is said to be the best work on the album and it's a low tempo collaboration with Norah Jones. Maybe it's because I hate Norah Jones but if it's not background noise, this song doesn't do much for me. The tempo of the album is then awoken by the infectiously album titled track 'Write About Love' featuring the gorgeous Carrie Mulligan. This is the cutest piece of music I have heard in some time. I really enjoy the adorable, "I hate my job/I'm working way too much/Everyday I'm stuck in an office" offset by Murdoch suggesting there's a prettier way of living, "Just get on your skinny knees and pray". This song has been on high rotation since its discovery.

'Write About Love' proves to be buoyant as it continues into, 'I'm Not Living In The Real World', even though it's a three minute song, it's so sweet it ends before you realise it's begun.

Now the part where the tale end of the record twists into low tempo and I'm not saying it's a top-heavy work, but I find the last few songs to be a little less catchy, a little less enlightening until the closing track of 'Sunday's Pretty Icons' which is a lovely little piece that certainly does leave the listener satisfied and wanting more.

It's hard to write about a respected band or artist when you really don't know their work. This is the eighth studio release by Belle & Sebastian and unlike all the other reviews that incorporate all bands errors of the past, I really have nothing to say. I know I now need to work backwards into their catalogue and maybe that can be a benefit when you think about it, kinda like buying a box set and not having to wait for a new episode every week. Bad analogy. Anyway, if you're like me and you've never really bothered with Belle & Sebastian, I'd say give it a spin. This is one of my favourite records this year and as summer in Australia beckons, I know 'Write About Love' will be on high rotation here at OWM.

Evening Outrage.

2010-11-03T05:22:00.000-07:00

NME’s ‘Best Debut Albums Ever’ poll by "the people" voted Arctic Monkeys ‘Whatever People Say I Am, That’s What I’m Not’ over Joy Division’s ‘Unknown Pleasures’. Fuck. Right. Off.
Arctic Monkeys debut also took out Interpol’s ‘Turn On The Bright Lights’, Nirvana’s ‘Bleach’, The Libertines ‘Up The Bracket’ and Jeff Buckley’s ‘Grace’. What the fuck even? Who let these morons choose?

I'm embarrassed to be alive.

Dropping the ball, picking up the pace, losing face.

2010-11-02T20:22:00.001-07:00

Updates and all things new coming soon!
It's been a busy these last couple of weeks. I've been filming and celebrating a birthday so now that I am dignified and old, I am sure I can clog your screens with my rubbish.

I look forward to it.

Blue Monday

2010-10-25T00:14:00.000-07:00

Are you tired of being Monday's bitch? I know I am.. Anyway, I've put together a playlist to get you through the complete dick-taking that is the beginning of the week. Feel free to contribute.

Money (That's What I Want) - The Flying Lizards
Wake Up - Arcade Fire (Not funny, literal. Wake up, you bitch)
I Didn't See It Coming - Belle & Sebastian
I Wanna Be Your Dog - Iggy Pop & The Stooges
Stockholm Syndrome - MUSE
Satisfaction - Bjork and PJ Harvey
Nantes - Beirut
Cause = Time - Broken Social Scene
Handle Me With Care - The Traveling Wilburys
Six Different Ways - The Cure

The Price of Silence - 'A Hipster Note'

2010-10-19T18:27:00.001-07:00

There are a lot of things you will read about on OWM before I bag out Thom Yorke. To me, Yorke is the orchestrator of my heart and the 'Pablo Honey' record aside, there is very little he could to to deter my love.
The Radiohead frontman has proved himself not only a worthy musician, but as an artist, entrepreneur, and all around fucking genius. This all comes with the territory of fronting one of the most innovative and influential bands in the world. From this you can tell I am probably one of the most annoying and pretentious Radiohead fans around and would just about sell myself to get my hands on anything Radiohead related, well until today.

This morning it was announced that Yorke alongside Mark Ronson and a couple of other people I don't care about, have teamed up with British Prime Minister David Cameron to record two minutes of silence. Yep, to record two minutes of silence and wait for it ... sell it as a single.. yep, still processing the perpetual wank of this notion? Me too.

The Single is appropriately titled 'Two Minute Silence' and will be released on November 7th to commemorate fallen soldiers on Remembrance Day. Yeah, it's for a good cause, blah blah blah, and maybe I'm a bad person for thinking this is ridiculous and wanky but I give to street artists occasionally so I'm not convinced of that. It's just that this is complete bullshit? I can see it now, my fellow Yorke fans sitting alone in their bedroom being 'sooooo post-modern' listening to their two minutes of silence. How about making us our new Radiohead record, Thom? How about that? I love you but really, you can only be so 'innovative' before landing yourself in a dickload of "YOU CAN'T BE SERIOUS?".

And Aaron Diaz wanted to know if it was a cover or a remix of John Cage's 4'33"..

When God Programmed Rage

2010-10-18T21:54:00.000-07:00

This past Saturday my literary idol Bret Easton Ellis programmed Rage -- it's moments like these that make me wish it were 1985 when he was announcing songs on MTV, you know when they played music.

The 'American Psycho' author recently visited our shores in August as a part of the Melbourne Writers Festival and promotion for the his most recent novel 'Imperial Bedrooms'. I won't turn a music blog into a book review however Ellis is known wildly as one of the more musically versed of the American literati. I was lucky to have met the genius when he visited Melbourne but will still do anything to get an insight into his twisted mind.

As predicted, Ellis made a playlist rich with popular culture but with enough taste to get by. We were treated to clips ranging from the appropriate Lady GaGa's 'Paparazzi' to huge dedications to the authors obvious influences like The National and Mr Elvis Costello.

So if you're a big reader of the books treat yourself to the essential Bret Easton Ellis Rage playlist here.

When you don't proof read your work

2010-10-15T02:50:00.000-07:00

You try and tell people that The Pixies toured Greenday's 'Dookie'..

Human computer.

Top 15 Album Tours I'd Step Over My Own Mother For

2010-10-15T02:00:00.001-07:00

So, I am always trolling the Internet for lists, I am a list kinda person, maybe I’ve read High Fidelity too many times or maybe I have too much time on my hands.. anyway, this morning I stumbled across Fasterlouder.com.au and their list for ‘Most Wanted Album Tour’. With a lot of major bands touring their prized records it’s becoming quite the trend. The first example I can think of is when Sonic Youth toured ‘Daydream Nation’ in its entirety back in 2007. No, I didn’t go. Yes, it still hurts me. But with The Pixies bringing ‘Dolittle’ to our shores earlier this year and Primal Scream about to bring us the spectacular ‘Screamadelica', the people are making demands!

Fasterlouder’s list is a mix of standard classics like The Boss’s ‘Born To Run’ and Radiohead’s ‘Kid A’ which came in at top spot. It got me thinking about my top 15 albums I’d like to see tour. Some are strange choices because I mean, some records would just tour better than the way they play alone in my bedroom so they may not be my favourite offering of said band but you know the rest.. here goes..

TV on the Radio – Dear Science

Radiohead – Hail to the Thief (Could you imagine '2+2=5' annnd 'There There')

Bob Dylan - Blonde On Blonde

Interpol – Turn On The Bright Lights (hidden track included)

Broken Social Scene – You Forgot it in People

The National – Boxer

Smashing Pumpkins – Siamese Dream

Nick Cave and The Bad Seeds - Murder Ballads

Arcade Fire - Funeral

LCD Soundsystem - Sound of Silver

Sonic Youth – Washing Machine (mainly for Diamond Sea playage only reason I chose this over Goo)

The Smiths – The Queen Is Dead

At The Drive-in – Relationship of Command

David Bowie – Low

Talking Heads – Little Creatures

What would your dream list consist of?

The National Add Extra Dates

2010-10-13T19:48:00.000-07:00

I really don't remember when or how I first discovered The National, which is pretty unusual for me. However all I know is that sometime in 2008 the five piece made an irretrievable entrance into my regular playlist and to this day still impedes my Top 25 Most Played on iTunes.

The National are easily one of my favourite bands, they cater to everything my miserable soul could lust for musically. The songs are catchy in ways but to me it's this form of poetry that really speaks to every part of me. I'm trying my hardest not to sound like a pretentious dickbag but my affair with The National is all things sacred and romantic to me.

I was unlucky to have missed the 'Boxer' tour in 2008 when the Brooklyn based boys appeared at the annual January Sydney Festival. Picture me falling to my knees in a heaps of tears. Wasn't pretty. So I guess you can gauge my reaction to the Falls Music & Arts Festival line-up this year. EEP! I was the happiest miserable girl to have ever lived. Interpol AND The National. Yes, yes., yes please. For weeks I stalked both bands websites, tour pages and googled 'sideshows' and finally I secured tickets to both acts sideshows last week. I couldn't be happier.

It was always speculated that after the success of 'High Violet', The National would play more than one show on our shores, and after the first string of shows sold out more have now been announced. I think I will go to both.

'High Violet' is so perfect. A dramatic friend of mine even said he could only listen to it once as it was so heartbreakingly beautiful. He's a drama queen, I be playin' that shit all day everyday. If you haven't heard The National before, take a hard look at yourself in the mirror and then do something about it.

Friday 7th January - The Enmore, Sydney

Saturday 8th January - The Enmore, Sydney SOLD OUT

Sunday 9th January - Palais Theatre, Melbourne SOLDOUT

Monday 10th January - Palais Theatre, Melbourne

I'm not going to review the new Kings of Leon stuff..

2010-10-13T00:14:00.001-07:00

I'm just not.
I have to do some.. washing?

New Gotye

2010-10-11T21:03:00.000-07:00

It seems Australia's favourite adopted Belgium has done it again! The blissful musical project known as Gotye by The Basics Wally De Backer, has just hit us with some new material and it's 3:07 of sheer essential summer bliss. The debut track is titled 'Eyes Wide Open' from Gotye's forthcoming album (no working title) due for release in 2011. This song is a little more upbeat than 2007's hauntingly beautiful 'Heart's A Mess', however 'Eyes Wide Open' maintains the eerie nature of Wally's musical experimentation whilst flirting with the sounds of pop. 'Eyes Wide Open' is really lovely and I can hear Summer. I'm looking forward to the rest of the new material to surface very soon!

Download 'Eye's Wide Open' for free here.

Copy Cats.

2010-10-11T20:17:00.000-07:00

Is it just me being suspicious or does it somehow seem like the Laneway organisers are in bed with the Splendour guys? Twice now both festivals have borrowed from one anothers previous line-ups. This year Laneway boasted Florence and the Machine and Mumford & Sons, only for the two acts to reappear on the Splendour bill just a few months later.
Today St Jermome's Laneway Festival released their bill for the 2011 tour only to mention FOALS and Two Door Cinema Club who had just played Spendour. This isn't uncommon for local acts, but I just found it a little funny for these successful international bands to revisit our wonderful shores again so soon. Tit for tat? Same booking guy? I dunno. Either way, I'm still pretty pleased because I get to see FOALS as I missed them on their last visit. Celebration.

Check out the full line-up at www.lanewayfestival.com.au/.

2010-10-05T06:05:00.000-07:00

Apparently Big Day Out tickets are going for a steep $170 (all bits and bobs included) this year.
Wow, get a fucking grip. I guess the benefit is they know idiots/veterans will pay it because they have no time to hesitate at check-out, but shiat. That is on expensive fucking ticket for a one day festival. I hate to sound like I'm old but my first BDO ticket in 2005 was $100. That's some serious fucking inflation.

Silversun Pickups Grace Australia

2010-10-05T04:30:00.001-07:00

Since the release of California's Silversun Pickups sophomore LP 'Swoon', I've been dying to see them tour here in Australia. With every major festival line-up announced without the four-pieces presence, I began to feel like I was holding my breath beneath a sheet of ice. So, when Silversun Pickups appeared on the bill for Coaster Festival, I damn near spat my morning Coca Cola all over my Mac screen. Not to slag off Coaster, I mean it has done reasonably well in its own right, I just didn't expect this line-up to be the one to boast one of my favourite bands.

Angst aside, only momentarily, I was filled with joy. You may remember when I went through my huge Silversuns phase last year. I think that 'Carnavas' and 'Swoon' have been two of the more pivotal new records to me in the last two years. Although, frequently compared to Smashing Pumpkins, I sincerely shrug off the similarities and enjoy the music wholly and entirely as a standalone act.

There was more coke spraying when it came to light that Silversuns would NOT be playing their own sideshows, but only supporting Australian snorelax act Birds of Tokyo. I think the outrage was taken to the streets and the revolt got us here in Melbourne a very lucky chance to be the only city to see the band play their own show. The tickets went for a mere $30 or so, and sold out within minutes at The Corner Hotel.

On the night, Sydney lads Papa VS Pretty lads took to the stage first and performed to a near full house. PVP showcased some of their newer material, the crowd swaying and hypnotised. I was interested if people were there just to be early, but I saw many people mouthing the lyrics to 'Heavy Harm' and my frozen heart felt warm inside.

The Corner Hotel is a pain in my fucking ass when it comes to their bastard poles, so there was much moving around to get a look at Mr Brian Aubert and co. as the band graced the stage. Immediately falling into 'Swoons' 'Growing Old Is Getting Old', Aubert swayed playfully side to side and twisted his way through the song, swallowing the entire room with his distinctive vocals.

The set then moved into 'Carnavas' single, 'Well Thought Out Twinkles'. It was in this song I really noticed the talent of drummer Christopher Guanlao. His technique almost seems like it comes from some kind of emo-punk background. Call me an anti-percussionist but I very rarely notice a drummer but Guanlao is one talented fucking guy.

The four-piece played a healthy mix of both records, highlights include personal favourites 'The Royal We', 'Future Foe Scenarios' and 'Catch & Release'. It was clear the crowd favourites were 'There's No Secrets This Year', and an epic performance of 'Panic Switch'. There's just something so enchanting when Aubert lullabies ' I'm waiting and fading, floating away', followed by the crowd losing it as the song swings back in to chorus.

It was quite an interactive show, with bassist Nikki Monninger sweetly telling us a joke I still don't understand, all the while looking a million bucks. Also, there was a lot of apologies for an uncouth performance in 2007 at the Ding Dong Lounge, followed by a few references to Supper Club? I can only imagine what Melbourne did to Silversuns last time around, however they seem to look back on it affectionately hence choosing us as their only show. Eat shit, Sydney.

The set progressed from 'Panic Switch' straight into 'Carnavas' mega hit 'Lazy Eye'. This was a fine fucking performance and it was everything you would hope it to be. This song could honestly make a constipated Nazi smile.

After much applause Silversuns disappeared into the shadows of backstage and many wondered what else they could possibly close with, some even began to stray towards the door. I have always said the last three songs off of both records are my easy favourites, so when the band reappeared to play 'Substitution, 'Three Seed' and 'Common Reactor', it's fair to say I laid an egg right then and there.

It really was a perfect set full of the expected reverb and distorted guitars and all the songs I hoped they would play. I even caught them again at their supporting show the following Friday. Both shows were pretty fucking perfect and I can honestly say it was worth the wait.

Band To Watch - The Frowning Clouds

2010-10-05T02:56:00.000-07:00

On a frosty eve this past winter, I was summoned by one of my trusted informants to check out a band that would surely blow my socks off. I'm often sceptical of bands that people say I will like, I often wonder if people know what music I actually do like. Every one's mate is in a band or their friend is doing sound for the 'next big thing'. Either way, I don't care. There are so many bands in Melbourne, it can often be difficult to wade through the array of mediocre acts to find something special. This was one of the few times someone wasn't talking out of their arse -- and then there was light, or at least a bunch of dudes playing instruments called The Frowning Clouds. It's been quite some time since a band got my attention quite like this.

These five Geelong lads wouldn’t surprise you if they were actually a Beatles cover band based on appearance -- haircuts and all. To quote Pavement, ‘But I don't care, I care, I really don't care, did you see the drummer's hair?’. I just dug the way they looked, maracas in hand and that's before they split the groove. The band do however stipulate that they do not do Beatles covers on their Myspace.
The first thing that came to mind when I first heard The Frowning Clouds was simply, London 1965. It's like you're taken back in time to a low-fi swinging sixties scene. Inhibitions at the door, twisting on the floor -- the music is immediately infectious. It's like you've heard it before but it's friendly not pretentious. Its attitude a sexy kitten with plenty of soul but not nearly intimidating.
So far I've recommended them to all my friends back home in the city of Sydney and friends are even traveling from the Central Coast to catch a taste of the ease and psychedelic beats of The Frowning Clouds.

I recommend you get to their nearest gig, maybe right now.
Click here for the lads Myspace for tour dates and tunes.

This week it's an IOU..

2010-10-03T18:29:00.000-07:00

Still to come, Silversun Pickups reviews and Parklife.
It's been a long week of gigs and festivals, so please forgive a drunken blogger on her late entries.
Coming soon to a blog near you..

Peter Hook Presents His Ego, I mean, Unknown Pleasures - A Joy Division Celebration (for him)

2010-09-28T00:07:00.000-07:00

This past Friday, I spent the day reliving my Joy Division collection in the name of attending Peter Hook's 'Unknown Pleasures: A Joy Division Celebration'. I don't need to tell you that the aforementioned LP title got me through a certain time in Sydney -- there was nothing quite like wallowing to the beautiful agony that is Ian Curtis and co.

Despite the controversy surrounding former Joy Division/New Order bassist, Peter Hook, and Primal Scream's Mani's Twitter riff, punters were not discouraged by contributing to the "blood money". Mani has since apologised to Hook however the damage is done with explosive comments such as, "used to adore the man, now he's a self centred sellout reduced to hawking his mates corpse around to get paid. And he can't play." hitting the web in a twitter rage.

All rubbish aside, I got to the wonderful Palais Theatre for the 8:30pm show. The crowd was a mixture of Manchester geriatrics and hipster tools all wearing cover art like no one had ever bought a Joy Division shirt. One guy actually looked like David Bowie circa The Labyrinth, scary shit. Anyway, the show opened with this audiovisual 'disclaimer', if you will. Basically a compilation of clips explaining the success of Joy Division and New Order, lazily told with an assortment of clips from bio films Control and 24 Hour Party People. Steve Coogan didn't need to tell me who Peter Hook was, it didn't seem necessary.

When Hookie and co. took to the stage, I was surprised to watch the controversial bassist take to vocals but not without bass in tow. The poor bassist on stage got to play everything but the cool bits, poor brother. The set opened with an out of order 'No Love Lost' and the sound exploded throughout the auditorium. I tried to close my eyes and cast my mind back to how this would have sounded originally, late 70's early 80's -- how explosive that sound would have been then considering it was blowing me away right now. Nothing sounds like Joy Division, nothing, though many have tried.

Hook with all the bravado he has, managed to carry off the lower vocal range similar but not offensive to Curtis. The music in tribute to itself was huge, like a wall of sound but the vocals could have stood to be a little louder -- sound guy, I'm looking at you. I think the most annoying part was the ego of Hook. I know, it's no surprise and I know his bass stance hasn't changed since New Order formed but he still looks like a wanker.

The best job for my money was done on 'Candidate' and I know this is one of my favourite Joy Division songs so this is a little bi est, but the lights went low and the bass lines unmistakable. It was conducted quite perfectly. Other well executed and non-offensive performances were, 'New Dawn Fades', 'She's Lost Control' and 'Shadowplay'.

The encore came after 'I Remember Nothing', however the band reappeared shortly after, with Hook declaring ".. this song still makes me shit myself". Though 'Transmission' does not appear on 'Unknown Pleasures' it was added to the set for kicks and got some of the crowd out of their seats and into some tasteless Ian Curtis dance aerobics.

In a predictable but equally appreciated finale, the set closed with Joy Division's biggest hit 'Love Will Tear Us Apart'. In response, everyone respectively got out of their seats and danced and some sang along terribly. I appreciated Hook's vocals in this tribute and a friend of mine actually went so far to say that he prefers Hook's vocals over Bernard's, which for my my money could be a valid notion. I enjoyed the show, maybe it's because the songs are still perfect, maybe it's because I didn't shell out $80 for a ticket. I don't know, I think it was just something a Joy Division fan should see.

Things I Like To Eat For Breakfast, My Words.

2010-09-27T18:41:00.001-07:00

So, last night as the clock leaned towards a new day, Big Day Out fans nationwide awaited anxiously for the summer festival's 2011 line-up. Me, well I'd had too much Coca Cola before bed and I suppose I was a little bit curious, so I sat back, sipped the the carbonated soda I should not have consumed and watched my facebook explode.
I think my favourite part is watching every one's status update lurch into glee or scream bloody murder at BDO organisers. You can tell which type of people are going to be pleased, and those who simply don't get it. A lovely young lady asked me who Iggy Pop was, I couldn't even respond.

So, I could list you the whole line-up but you can catch it all at www.bigdayout.com but man, I am probably going to go. Iggy Pop & The Stooges, Grinderman, Rammstein, Primal Scream, Tool, I mean holy shit. My little inner punk-metal mistress is losing her shit. Not to say that I'm not looking forward to more Boiler Room associates such as LCD Soundsystem (which they claim is their last shows) and Crystal Castles. I'm also pleased to see Edward Sharpe & the Magnetic Zeroes on the bill but the one thing missing and making me cry is Arcade Fire. Wants.

I don't know. Thoughts?

OWM Catches Up With Thomas of Papa VS Pretty

2010-09-27T03:18:00.000-07:00

Cast your mind back to the depths of your alcohol abuse somewhere back in 2008. If you're an old reader, you may be familiar with my obsession with Sydney's Papa VS Pretty, and may have thought I was talking smack, well my devout followers, I preach no bullshit. The three piece have just been signed to EMI's sub label Peace & Riot and are cutting their first album.
I caught up with frontman Thomas Rawle to see what's behind the magic of Papa VS Pretty and why they're not just about edgy looks, but great music.

Since the release of 'Heavy Harm' in August, Papa VS Pretty have become regulars on the Triple J playlist, and I hear you were even featured on Video Hits one morning - how have you found the reaction?

It's been good! It's really reassuring to have folks like Triple J get on board, I'm really thankful that the record has been embraced by them. FBi play it as well which is fantastic, they've played all our EP's so it felt great that they liked this one as well. The clips gotten some airtime on TV as well which is strange, I saw the 'Heavy Harm' clip on Rage one night and almost spilt my tea haha.

'Heavy Harm' was the first release for EMI sub label Peace & Riot, was there a lot of pressure for this single to be a success, like you might be shunned to a distant desert island if it didn't take off?

Not at all, its a really great label. It's all about longevity not so much about hype, so there's no pressure to sound like anything or anyone or too look a certain way. We're certainly not a fashion forward band. It's all about writing the best music we can and playing it the best we can, that's what is important & they support us 100%. Its fantastic!

Tell me about Paul Dempsey's support since touring with him last year?

He has been great, it's really good to have someone who you really respect, like your work. For us it was a HUGE complement as we are all Something For Kate fans as well as fans of his solo record, so touring with him was amazing. Recording the EP was as well, it helped us become a lot more confident about our musical direction, really cement ourselves to what we we're doing cause other people believed in what we where doing. Makes it all worth while!

What can we expect from Papa VS Pretty's first LP?

We've been demoing it for the past month and its sounding really cool. It's like a fully evolved version of the sound hinted at on "Heavy Harm". It sounds really big, then it gets really small. Kinda like film music, I really love film scores. That kind of musical atmosphere, but with a grungy feel mixed in with a bit of Elliott Smith and Buckley. I'm not that great at answering this type of question (whenever i do i get excited and start making all these references haha), so I guess you'll have to wait and see what it sounds like.

Lucky last, desert island top 5 records of all time?

I wish I could take 20, but OK. I picked these ones cause I always come back to them, no matter how many times I listen to them I can go back to them and they sound brand new.

From a Basement on the Hill - Elliott Smith Grace - Jeff Buckley Goodbye Yellow Brick Road - Elton John OK Computer - Radiohead The White Album - The Beatles

Catch Papa VS Pretty on a tour near you as the support Silversun Pickups and The Holidays, check the dates here.

Here is the single causing quite the ruckus on the airwaves, 'Heavy Harm'.

(image by Nirrimi Hakanson)

Coming up this week..

2010-09-26T19:38:00.000-07:00

A review for Peter Hook's Unknown Pleasures - A Joy Division Celebration, Silversun Pickups, an interview with Thomas from the up and coming Papa VS Pretty, and another teaser track from Cameras. There will be a few pieces on some Melbourne locals as well, so keep your eye out!

OWM Chats With Bluejuice Circa April...I'm Late.

2010-09-22T02:19:00.000-07:00

Two records in with one on the way, Bluejuice have already cracked the Aussie indie scene with their energetic funky-pop fantastica! Bluejuice have been dominating the airwaves and festivals alike since last September saw the release of the Sydney boys sophomore record 'Head of the Hawk'. The explosively catchy second record spawned the Triple J's Hottest 100 hit 'Broken Leg' which came in at an impressive #5. So, I had a chat with with Jamie Cibej (Bass) from Bluejuice back in April, here's what went down.

First things first, congratulations on the overwhelming response to your Big Day Out tour 2010. Inflatable lizards and giant spiders were just one thing to mention from this years smashing summer performances. Will the lizard be back?
Thank you very much. We actually intended to use that lizard again on the Good Vibrations tour, but it got lost for over a month. It turned up eventually, in some store-room at Sydney airport. For that reason, we’ll be limiting our giant props on this tour, and relying more on impractical costumes and offensive loudness.

One stand-out question for me as a Melbourne Big Day Out Patron - those now infamous yellow jumpsuits you guys flaunted onstage, did it ever cross your minds to add a little stuffing? If so, weapon of choice?
We like to think the flaws in the band are our most charming features, and this includes our tiny wangs. I did get to hide mine behind a guitar though.

What was your greatest experience on this year Big Day Out tour?
The guitarist from Mastadon doing an erotic impression of our female fans. The sight of an imposing tattooed man dancing whilst pretending to pleasure his female self will remain with us always.

Tell us about your most awkward tour experience. Have you ever walked in on anyone 'in the middle of it' in a dressing room or committed a band-on-band faux pas?
Oh please. The only thing anyone in a dressing room is ‘in the middle of’ is playing some game on their iPhone or eating a sandwich. Jerry accidentally did a poo in a stranger’s hotel room once though – that was reasonably awkward for him.

Bluejuice busted onto the scene in 2007 and excelled through 2008 and onward, how important do you think Triple J's support was in getting the gospel out to the people?
Triple J were absolutely essential. Despite the songs being irredeemably crap, they played some stuff from our first two EPs in 2003 and 2005, so they’ve supported us for a long time. And obviously since they’re national, regional touring is made easier.

In 2009 you guys were nominated for two ARIA Awards, what are the plans for this year? World domination? I hear you've been labeled a militant political group from the Maldives?
You attempt one coup d’etat and everyone labels you a militant – it’s so hard to get ahead in the Maldives. This year we’ll be going overseas and also recording our third album. We’ve been annoying audiences with our new tunes for a while now so it’s time to record them, though we don’t know where, or with whom we’ll be doing it.

And last but not least before you lads embark onto the tour, can we expect more jumpsuits in the future and is there a chance of a Bluejuice line of jumpsuits for the average Joe?
We thought about getting some of those purple Broken Leg skipping tracksuits made, but figured that not to many people want to walk around looking like grapes. And as far as the yellow jumpsuits go – those things need to be destroyed. They are disgusting.

Check out more info on shows and all things Bluejuice here.

Interpol Does Interpol

2010-09-19T23:15:00.000-07:00

Call me fashionably late or unfashionably poor, but yesterday was the day I picked up Interpol's self titled 4th LP. Better late than never, right?

In a musical world where indie bubblegum fads come and go, majority of bands spend their entire careers trying emulate the success of that first record. When the fever sets in it makes those sophomore releases all the more hyped and all the more likely to underwhelm. It's usually a hit and miss situation, take fellow New Yorkers MGMT's 2010 'Congratulations', for example. This offering came three years after their 2007 explosive record 'Oracular Spectacular', and failed to match the critical success of its predecessor. It's something that happens again and again. All examples aside, Interpol have managed to survive and complete their fourth successful studio release.

It's no secret that the four lads unleashed a musical beast upon the world when their debut album 'Turn On The Bright Lights' emerged from the New York scene in 2002. Many whiny pricks go on to say that Interpol could never make a record that good again, and they're right in saying that 'Turn On The Bright Lights' could never be cloned. This record is probably one of the best things to have happened to me, and you will usually find it in any one's top 10 of the last decade. It's very rarely that a record like this comes along, and I think the most important step of appreciating new work, is letting go of the idea that this record will happen again. If it did, it would not be as special.

If you ask me, Interpol's follow-up releases 'Antics' and 'Our Love To Admire' are both in their own rights very valid records. In fact, even though 'Our Love to Admire' didn't quite match the critical response of the other releases, the themes are still there. The sound that is unmistakeably Interpol, despite those rookie comparisons to the U.K's Editors and the annoying Joy Division facsimile.

True to form, 2010's 'Interpol' delivers just what you'd expect. Daniel Kessler's guitar is as brutal as ever, and like a recipe for success is matched flawlessly by the thick, powerful bass lines of the since departed Carlos D. How to make the potion perfect? Add the dark, smokey vocals of Paul Banks and the effortlessly potent percussion of Sam Fogarino. The band suggested this release be a return to the original sounds of 'Turn On The Bright Lights' with a more orchestral twist, and they were right.

The record commences with the ideally paced, 'Success' which serves as a just that, a successful opener. Sonically, this is an immediate familiar sound, creating an atmosphere expected and delightfully welcomed, but not without a flicker of something new.

These guys know a thing or two about building tension and contrast, and as the album succeeds into 'Memory Serves', the guitars are sudden and strong, before dropping back into a slow key steady number. The repetition of Bankses vocals purring "Only at your place", gives the song a romantic misery. I think my favourite moment is when the track falls to the close of keys, and Banks delivers the final lines, "Baby you don't have to say that you'd love to/ only that you want to/ some day…"

As the tracks ascend, we're faced with another favourite of mine 'Summer Well'. Banks tells us of a failed romance and the desire of going back, ("I miss you but it looks like you summered well."). 'Summer Well' is driven by vocals which serves to make this one of the catchier tracks on the record.

When 'Lights' surfaced as a teaser track back in April, I didn't know a lot of people in my music community that liked it, some slating it to be "boring" or even just a "fail". I didn't feel the same way. As soon as I heard the bass line, it felt like my first drink in years -- I had been craving this sound since 2007 and this was more than music to my ears, but something sonic in my veins. "That's why I hold I hold you near" was all reminiscent of why Interpol have been and still are one of my favourite bands.

'Barricades', unfortunately isn't one of my favourite tracks. Though it was the second track released to radio, I don't know.. I just didn't like it right away and it's more annoying than valid in my eyes. It makes me wish for the days of 'Evil' when the vocals were lower. I just find this track annoying, there i said it again.

'Interpol' isn't a top heavy offering, that's for sure, in fact I think I like the second half almost better. 'Always Malaise (The Man I Am)' is probably the most beautiful track on the record. It's one of the more fragile Interpol songs with brittle keys and crooning lyrics that beg for understanding. 'Try it On' is a sound departure from the regular method of choice, though some don't quite understand the repetitive keys, I think it's a nice change but does tend to serve as bit of a filler track.

'Interpol' comes to a cinematic end with 'All of the Ways' and 'The Undoing'. I couldn't suggest a better apocalyptic climax than to contrast the night and day of these two songs. 'All of the Ways' is this church orchestrated epic and the record winds down with the lines "I was on my way/chasing my damage" which haunt 'The Undoing'. The painful shrieks of Banks crying "Please" add to the romance and anguish of all things Interpol.

All and all, this is a very solid album. I mean, that's all I can say. I'm not living in the past, I wasn't hoping for this repackaged '..Bright Lights', and that's important going into listening to 'Interpol'. As an avid Interpol fan, I accept this release into the discography as a very convincing and credible addition.

Big Don't Care -- a rant similar to last year.

2010-09-18T09:04:00.000-07:00

Pending speculation Tool would be headlining Australia's washed-up festival Big Day Out, it appears we were completely off the scent. Thanks to Danny Clayton's royal fuck up last night on his Twitter, it appears Californian 90's band Blink 182 with be taking the notch at the top of 2011's bill.

Do you care? I don't know if I do. It's been a good six or more years since the Big Day Out boasted a line-up worth writing home about. I still think in terms of all star bills, Ken West hasn't pulled anything reasonable since 2004 when Metallica, The Strokes, The Darkness and a junior Muse took to the national tour.

Sure, there's been great moments since, think Arcade Fire, TV on the Radio, R.A.T.M and Neil Young, but it all appears lukewarm with a wash of repeats and lackluster artists taking up space. I begin to wonder if they even care anymore?

In terms of line-up value, I think Splendour in the Grass is probably Australia's most prestigious festival-- followed closely by Falls Music & Arts Festival which is usually hand in hand with Southbound due to timing. BDO just doesn't come close anymore, which is sad because this would be my seventh year attending but after last year, I promised myself I wouldn't go again unless the list boasted Arcade Fire and free beer shot to crowds via large hoses, maybe an appearance from Nirvana and free drugs? I just don't think I'll go.. but we will see.

What do you think? Is Big Day Out still part of your Summer festival must do's or do you just. not. give. a. shit?

Chicks Who Love Guns Conquer Melbourne!

2010-09-18T06:52:00.001-07:00

When I first heard that some of the former members of The Waha's had started a new band post their split in 2009, I didn't exactly know what to expect. This musical endeavor continued to elevate my interests when the title Chicks Who Love Guns came to light.

As cutting edge as the name is, the five boys of CWLG are possibly trendier, with essence of the The Horrors in appearance. I know what you're thinking, "Great, another 'bro heavy' boy group of obscure indie twats." Not quite. If the music sucked, maybe.. but these Sydney lads are good enough to pull it off in an unpretentiousness manner. With track titles like 'Smashfuck' and 'Vomit on the Dancefloor', the credibility stands as this band is not all haircut but angsty and valid.

I ventured through the cold to Fitzroy's Royal Derby Hotel this past Thursday for my first CWLG show as they supported Melbourne's hard rockers The Reptiles. Though the following for the Sydney lads isn't quite at cult status yet, it was quite the intimate show.

The music just about cuts you as these five glam dudes get right into it, sound exploding through the room. The tracks are razor sharp and Cass Navarro's vocals are thick with a Casablancas drawl which works well over rocking riffs and funky fucking deadly bass lines. Navarro may be pocket sized, but it doesn't stop him from owning his stage presence, as he wanders around the space beer in hand casually delivering lyrics like, "I threw up on the dance floor". The set quickly changes into some punk influenced tracks with back-up vocals sometimes sounding truly At The Drive-In'esque. I think I described it to a friend as the bastard child of The Strokes and The Stooges.

What I like best are the bass lines that sound like the cuts off of Nirvana's 'Incesticide'. Each CWLG song delivers an element of garage "fuck you", which seems to be disappearing in today's alternative scene -- what with bands opting for smoother, polished radio-friendly sounds. Don't get me wrong, there's a place on the airwaves for CWLG but it's just not Nova, or 2DAY FM and I think I like it better that way.

After three nights in Melbourne, I like to think the boys will return to Sydney with a stronger fan base and we'll hopefully see them back in the icy Melbourne tundra soon. Keep and eyeout and get yourself to a show stat. Don't bring lemon or salt, CWLG will cut you

Help yourself to CWLG Myspace for tour dates and listen to some rocking tracks while you're there!

Polarise - A New Track from Sydney's Cameras

2010-09-18T06:18:00.000-07:00

Take a peak at Cameras dirty pretty teaser track from their upcoming debut EP available later in the year.

If you like whimsical vocals comprised of elegant lyrics matched with beautiful melodies then Cameras are for you.

These Sydney kids having been garnering a lot of buzz in the last few weeks, with the king of
radio Richard Kingsmill giving the three pieces debut track 'Polarise' an outstanding 4/5 on Triple J's uneatrhed.

Not only that, Cameras were featured on Hype Machine's Top 100 buzzed about songs placing at #15 above
Arcade Fire -now that's saying something!

The first time I saw Cameras at The Hopetoun in 2008 I knew there was something special
about them. I've supported this band heavily since that day and have continued to do so.

Cameras are truly onto something!

Click here for your very own free download of Polarise

Also, check out the Cameras Myspace for a list of upcoming gigs or become a fan on Facebook.

Homecoming.

2010-09-18T06:03:00.000-07:00

There are a lot of reasons why I stopped posting here, all of which I don't think I can get into or even need to. Those reasons have since faded into the sound of music and the passion I had forgotten. Writing to me is second only to music, and for a while there I got a little lost along the way.

There's nothing more intimidating than falling out of the loop and trying to recapture what you had and as time passes things get more and more on top of you. You lose the inspiration.

So, after one day sitting in my office feeling rather pathetic and irrelevant, I decided to get back into it. Get involved. I've seen a lot of music this year and have since relocated to Melbourne, so things may be a little different.. I hope y'all are still on board with me.

Please look forward to reviews from some of our favourites, some new guys on the scene, international and local reviews and I'd love to hear all of your tracks.

This blog was created in July 2008 -- no matter how much I lost faith, I never had the heart to close it.

We're making a comeback.

2010-08-04T01:14:00.000-07:00

Please be calm whilst we re-invent this shit and bring you something different!

Since living in Melbourne, music has taken a backseat however that's all about to change.

Please hold, we appreciate your call.

Listen to this - Support Australian Music

2009-10-06T05:55:00.000-07:00

Another unimpressive BDO line-up.

2009-09-28T06:47:00.000-07:00

Muse, Powderfinger, Lilly Allen, Eskimo Joe, Groove Armada, Grinspoon, The Mars Volta, Ladyhawke, Dizzee Rascal, Karnivool, Peaches, The Temper Trap, Kasabian, Midnight Juggernauts, Rise Against, Magic Dirt, Mastodon, Lisa Mitchell, The Horrors, Bluejuice, Calvin Harris, Kisschasy, The Decemberists, Tame Impala and Girl Talk.

Yet another fucking sub-par performance from Ken West. If he’d stop pulling his own dick, then maybe we’d have a decent line-up. Safe to say Falls leaves BDO for dead.

It's sad to bury the past, especially when it means handing over the reigns of your favourite music memories and knowing that the past is just that, fucking dead.

Big Day Out has spawned some of the most unforgettable moments in music, housing the biggest acts from across the globe. It's just these days, the line-ups are becoming more forgettable than a pair of underwear on Paris Hilton.

What the fuck Big Day Out? What the fuck?

I think they day it truly died was somewhere round 04, after Metallica sold two shows in Sydney alongside Muse and The Darkness. Since then it's been mediocre to say the least.

Sure we'll still all buy tickets in hope of a summertime resurrection but I feel that my years attending a drawing to an end.

Such buuullshit.

The Day Sydney Music Died.

2009-09-28T04:06:00.000-07:00

Sydney's Hoptetoun Hotel Closed Today.

2009-09-28T01:19:00.001-07:00

Local music factory and beloved Surry Hills venue The Hopetoun Hotel unexpectedly closed today.
Without warning, staff and punters were turned away due to unexpected closure, leaving our favourite bar staff jobless and the Sydney music scene reeling.

Bluejuice singer Jacob Stone took to his personal Facebook page today to express his surprise at the unexpected closure,

"Sadly, The Hopetoun Hotel closed today. This is big news for Sydney music, and me too, as I'm now unemployed. Since I got no notice about the closure, I wasn't prepared. If anyone hears of anything, please let me know."

It's safe to say that Jacob received several comments of shock and support as The Hopetoun has been home to some of Sydney's favourite nights out and historical gigs.

The Hopetoun also supported beloved independent music radio station FBI heavily when their future became hazy this year, donating one dollar for every gig and beer sold to the Aussie station.

Unfortunately it's evident that Sydney's independent music scene will suffer greatly from this loss, as the longtime muso landmark has been some of Aussie musics finest moments.

If you know anything about the unexpected closure, so email me at my link on the side of the page.

You can also join a Save The Hoey Facebook page here to put your ideas forward for a way to save our favourite venue.

Your Daily Awe.

2009-08-19T05:46:00.000-07:00

New Radiohead! 'These Are My Twisted Words'

2009-08-13T02:07:00.000-07:00

Review to come shortly..
I'm too busy ejaculating, right now.

'United States of Eurasia' - New Muse Single

2009-08-06T19:39:00.000-07:00

Um.
Take a few years off, take an acid trip, see Freddie Mercury in a vision, wake up and decide to redo a sound so sacred no one will know what to think of you.
That's all I can think of..
I'm a firm believer in 'it's not where you take it from, but where you take it to', but this is just a blatant mimicry of a sound already famous by Queen decades ago.
'United States of Eurasia' sounds like a B-side from and old Queen record, or some kind of hybrid of 'We Are The Champions' and 'Bohemian Rhapsody'.
Matthew Bellamy is no stranger to imitation, with many Radiohead fans slating the fellow UK rocker having shamelessly imitated vocals prominent to Radiohead front man Thom Yorke's famous falsetto on some of Muse's early records.

Muse are certainly a brilliant band in their own right, and honestly one of my favourites. I just wish they stuck with their original sound, think 'Origin of Symmetry' and 'Hullabaloo', or even the acclaimed 'Absolution' record. This new stuff really isn't doing it for me, and even though 'Black Holes and Revelations' wasn't awful, it did slightly put me off of my Muse phase. I like new direction, as I've mentioned in the past, I'm a Radiohead fan but I mean, if you're going to change your sound, do it to your own tune, in your own right. Don't rip off mega sounds just because you played a few Wembley Stadium gigs.

If I'd never heard a Queen record in my life, maybe I'd like this. But it's just big show bullshit and just another power rock ballad for Bellamy to belt out at one his huge overpriced stadium gigs. I remember in 2004 when a select few people knew who Muse were and my Dad used to make me Muse mix CD's, it was all so modest talent then and not sell out Guitar Hero bullshit.

Listen to it below..
I'm cranky.

New Arctic Monkeys song - Crying Lightening

2009-08-05T21:25:00.000-07:00

It's no secret that English crowd pleasers the Arctic Monkeys have been destined for musical success since the four handsome young lads crash our air waves in 2006. The lyrically mature teens from Sheffield, England set the "indie", rock and pop world on fire with the release of 'Whatever People Say I am, That's What I'm Not'. The Brits new sound sent waves of fanfare across the globe with their hit single 'I Bet You Look Good On The Dance Floor' infecting all genres and Myspace profiles alike.

After several sold out shows, including a few explosive Australian shows, the lads headed back to the studio for their follow-up record 'Favourite Worst Nightmare'. The lyrically witty Alex Turner once again did not cease to amaze the music communities with the lead single 'Brianstorm' paying homage to revival of 'mod music' and that 60's English sound.
The four piece that is Arctic Monkeys relished another successful release in 07 and were quick to tour, delivering a smashing Splendour performance and several sideshows here on our Aussie shores.

Not ones for sitting back and enjoying success, Turner forayed into his own solo ventures which brought you 'The Last Shadow Puppets' which was another NME favourite and triumph for the blossoming superstar.

Without rest, word was rife that the lads had returned to the studios for their third Arctic Monkeys record which promised to me more profound, and enlisted the help of musical mastermind Josh Homme from QOTSA. Twelve tracks were recorded at Homme's Rancho De La Luna in Joshua Tree in California which has been the home of several other infamous recordings and another twelve in New York with English producer James Ford, however only ten made the cut for the oddly named new record, 'Humbug',

Big Day Out 2009 saw the return of the Monkeys to our shores, to which the lads let slip some new material on the New Zealand leg of the tour and some well executed Nick Cave covers.
The first single to be released off of the English outfits third offering is titled 'Crying Lightening' and it's definitely a different vibe to the boys previous work.

The Arctic Monkeys banging bass lines are still ever present with that essence of latter day funk, but as the track opens you can tell something has changed. Turner's vocals are lower, more mysterious and all of a sudden it's no secret he's spent some certain time listening to Mr Caves back catalog.

'Crying Lightening' oozes the eery appeal that Cave is notorious for delivering, and with sweet yet dark lyrical undertones brought to life with a very Hendrix'esque riff and inviting bass lines.
This track is smooth like chocolate, only for your ears, and demands to be replayed, over and over and I can only imagine 'Humbug' is filled with many of the same. I can't help but love it and it's encouraging me to attend their next show a little more sober than last time.

Check out the song and awesome clip below;

Falls Line-up Leak

2009-08-05T18:55:00.001-07:00

The kaleidoscopic vocals of Karen O guiding the formidable YEAH YEAH YEAH'S (USA); equipped with his full band comes iconic songwriter and producer, MOBY (USA); rewriting the hip hop rulebook comes HILLTOP HOODS; nerve-shatteringly beautiful and likely contender for Album Of The Year, GRIZZLY BEAR (USA – First Ever Australian Shows); the unbridled dynamic energy of incendiary guitar virtuosos RODRIGO Y GABRIELA (Mexico); harmony-laden whole hearted dynamism of THE TEMPER TRAP; in his first Oz performance with new international band comes XAVIER RUDD; captivating soaring vocals and sonic alchemy of EMILIANA TORRINI (Iceland); the driving energy and soulful melodies of LITTLE BIRDY; local electro-dance heroes MIDNIGHT JUGGERNAUTS; Chicago-based multi-instrumentalist and lyricist, the eclectic ANDREW BIRD (USA); the undeniable funk and hip hop party starter grooves of LYRICS BORN (USA); Brooklyn based experimental pop magicians CHAIRLIFT (USA – First Ever Australian Shows); the 11-peice psychedelic-soul big band explosion from dynamite act KING KHAN AND THE SHRINES (Germany – First Ever Australian Shows); iconic modern rockers EDITORS (UK); garage pop brilliance laced with punk from the infectious PHILADELPHIA GRAND JURY; the dazzling guitar work and shimmering tapestry of future folk from KAKI KING (USA); the ethereal, organic and immaculate performance of SARAH BLASKO; three sets of funky hands from the feel-good brand of obscure pulsating electro/pop from ART VS. SCIENCE; one of Britain’s most admired club DJs and audio visual manipulator DJ YODA ; awe inspiring, live phenomenon that is LIAM FINN (NZ) ; sweet pop-folk sensibilities of LISA MITCHELL ; the spawn of Diplo and Switch’s futuristic dance-floor-insurgent-sonics of MAJOR LAZER (Soundsystem) (USA); the dream-like tapestries that weave an aural delight from PATRICK WATSON (Canada - First Ever Australian Shows); a hootenanny hoedown from bluesman SEASICK STEVE (USA); rock’n’roll renditions from great Scott’s THE VIEW (Scotland); Aussie hip hop stalwart URTHBOY; dark pop meanderings from WHITE RABBITS (USA - First Ever Australian Shows); a simmering intensity from pocket full o’ punch noise lovers FUTURE OF THE LEFT (Wales); some high energy tunes from high priestesses the KILLAQUEENZ*; diversely mixed palate of classic gypsy-pop from YVES KLEIN BLUE and the rare multi-instrumentalism and indie-rock melting-pot of THE JOHN STEEL SINGERS. *Vic only

I try to get to you, you treat me like this..

2009-08-05T01:39:00.000-07:00

I have been so lazy, and yes this another post saying sorry when I could be reviewing..
Some big things are coming up and I have three fresh reviews to go up..
See you kids soon.
peace out.

New Thom Yorke - The Present Tense

2009-08-05T01:28:00.000-07:00

This is so fucking amazing.
I don't even have the words.
Completely different to Yorke's previously solo efforts featured on 2006's 'The Eraser', yet satisfyingly perfect.

Yorke showcased this little gem at the recent Latitude Festival.
What I wouldn't of given to be there.

WHITE LIES - E.S.T

2009-06-26T20:48:00.000-07:00

My favourite song today.
Old sounds new, mix Soft Cell, The Killers, New Order and you get White Lies.
Huge call, but it works for me.
Easy. Indie/pop at its best.

Let's talk Splendour two thousand and nine.

2009-06-23T20:30:00.001-07:00

Firstly, can I say what potential this line-up could of had? Some of the biggest names in music have dropped new releases this year, for instance; Sonic Youth, Placebo, PJ Harvey and Silversun Pickups to say briefly. What's up with Splendour? Your headline acts have been seamless for years and out of Murphy's law of some other twist shit vs fan I get MGMT? Bah, curses.

I'm bitter because my heart was set on Sonic Youth, and a few music insiders had dropped Radiohead into the mix alongside Oasis and other mega-bands. So when I got Splendour veterans Bloc Party, which if you ask me, peaked in 2005 and the new Britney Spears mixed with ecstasy MGMT, well I had a sour taste in my mouth.

I'm not completely hating, I mean you.. sure, depending on timetable clashes, you will probably see me at both of these acts but seriously? I'd be disappointed if I had been a Splendour go'er for for the last few years and having to be subject to the same headlining bands three out of the last five years. But weren't Bloc Party here in November and MGMT in December? I don't know.. I just don't get it..

Let's talk about the good things for instance, The Flaming Lips.
Need I say more? Okay, fake blood, explosions, fire and giant balls? Does it sound good? Or just a normal Flaming lips gig.. the latter. You're going to lose your fucking mind. I've been watching clips all day.. and you won't even need drugs, though it will be nice.. just don't freak-out and fuck it up for your mates. You'll never see anything like it... but here's a taste.

And that's a tiny treat.

Who else am I down for? There's definitely a lot, considering the sour start to thing blog..
Happy Mondays. Straight for Joy Divisions Manchester punk movement days, incarnated several times and still kicking, not straight-jackted or dead. Bring your psychedelics please.

I'm excited for Friendly Fires, The Specials, and I will definitely see Bluejuice as they're always a lot of fun.. Probs Little Red and no doubt Dappled Cities, definitely Yves Klein Blue (They're amazing), always see my friends Children Collide and the drum role please... Manchester Orchestra. It'll blow your fucking mind. 'Mean Everything To Nothing' is a fucking brilliant record as to their previous work.

Even though Sonic Youth can't be there, to name a few misses there is certainly enough hits to keep me going. What do you think of the complete line-up? Will I see you there? No pants, just drugs and a hotdog in hand? Hope so!

The Temper Trap - Conditions - for Marc.

2009-06-23T20:03:00.000-07:00

I once paid $15 for one of Temper Traps shows back in like, December..
I stayed there for the opening act and was so drunk I forgot where I was and left for another show. What a mistake.

The Temper Trap have been on of those bands over the last six months that have been creeping all over my muso-dar and I've been too lazy to follow up. They've been at pubs and clubs all within vicinity, at festivals I've been at and just in my big stupid face.

Last week I was talking to a friend of mine from Melbourne and when I asked who he was listening to right then, he mentioned these kids. I ignored it and went on my merry way listening to old Bright Eyes and everything else I'm still not over. Then another Melbourne kid sent me an email deeming their new record 'Conditions' as "crap" going on to say,

" I was a huge fan, but the record is disappointing. The indie sound was what it was because it was raw and not gleaming from polish. The record is just another pop piece of crap, they've released a flavour of the month. Shame."

This prompted more curiosity so I wandered into Hum on Oxford last Saturday to pick up 'The Eternal' by Sonic Youth and well, that's a whole other story.. But I searched for 'Conditions' and due to ignorance, simply couldn't see it so I almost give up and then there is is for $24.95. I'm used to JB prices and I normally only pay 20 and down for records I'm not that partial to. So I put it down and go to the DVD stand and aimlessly browse through Hums collection of odd tittles. I'm really enjoying the store vibe and keep half listening to the soundtrack over the speakers. I keep saying to myself, "I like this, I like this, must ask who it us." like an idiot. After about 20 minutes I figure it out and awkwardly go and pick up 'Conditions' for the second time and purchase it for the full $24.95, however get a free t-shirt to boot thanks to the gents at Hum.

Anyway, so I put the record on already knowing I'm going to enjoy it and I do. Start to finish. It is polished, smooth and I like it because it makes good background music to me. It sounds like a back-handed compliment and it really isn't. I personally think the song are good, especially 'Resurrection', and the obvious 'Fader' but I see a lot of potential in 'Science Of Fear' which always gets my attention with it's lyrics when I'm not really paying attention.

The records transitions are smooth, and it's even spread and not top-heavy which is my biggest peeve in records today. 'Conditions' comes to a close with the lads instrumental piece appropriately titled 'Drum Song' which I like quite a fucking bit. It was actually the first song I did my manifested "ohh" and checked the song title, which I do in reference for weeding out playlist additions. I was actually disappointed it was the end of the record.

I need to see The Temper Trap do their thing, and would basically wet myself if they opened with 'Drum Song' as opposed to obviously closing with it. I'm so bored of bands going out with drum solos from over-zealous lead singers. I liked it when Parades did it June 08. I'm tired now.

yeah, holy fucking shit.

2009-06-12T02:01:00.000-07:00

The opening track to Sonic Youths brand new record 'The Eternal'..

Song in my head.

2009-06-12T01:17:00.000-07:00

Harlequin Leagues Triple J thrashed single Again and Again (all irony intended).

It's like what Brian Molkos comic book theme music would sound like... you know, if he had one.

NEW CLIP - Snob Scrilla - Heartbreal Scorsese

2009-06-11T04:55:00.000-07:00

I've never been a huge fan of Sydney's Mr Snob Scrilla however this song seems to really do it for me. That's not to say I haven't liked he's previous work, but it's never really been my vibe however this cut from Scrilla's recent record 'Day One' caused quite the ruckus in my bedroom this evening.

I've got plenty of friends who are into his beats and I'm starting to see why. There's this notion of profundity dressed in slang and upbeat synth that you relate unintentionally but want to jump around to simultaneously. It's an obscure mix, that seems to work effortlessly and it only took me one run of 'Heartbreak Scorsese' to figure out I'll be playing it for months. I love the repetition of Snobs ignorant yet endearing "I'll never change, I'll never change." It gives me an essence of fuck you! .. and we all like a little of that now, don't we?

I rate this clip and it features Chaingangs bangin' hot percussionist Skarlet Saramore smashing TV's and getting a little lady revenge. Hell hath no fury like a sleeved woman scorned Snob, Haven't you heard?

The Inheritors June 6th @ Spectrum on Oxford

2009-06-05T03:02:00.000-07:00

Now this is a gig I encourage you all to see!
I've mention these barefooted Central Coast lads before and I'm still not over them.
About two weeks ago or so, I caught their EP launch at The Hopetoun in Surry Hills and what a show!

Even though the front man Tobias (Tij) was feeling a little under weather, the three men still lifted the roof with their infectious rock/pop melodies and almost packed out the house.

The three piece has also just made their Triple J debut with the potent track 'Fever' now dominating your airwaves, so keep your ears to the ground for the next big thing!

The Inheritors will be playing with locals Only the Sea slugs, No art and Ghoul for help raise money for FBi as part of a series of shows in a pledge to obtain one million dollars to keep our beloved station afloat!

What can you do? Well you can grab a denim vest, a possible red onsie and roll to spectrum for a killer show for a good cause!

The Inheritors are on at 8:30 and it's Tij's birthday so lets cause a fucking ruckus for FBi!

www.myspace.com/inheritors

Cameras LIVE on FBI!

2009-05-31T13:43:00.001-07:00

Tune into FBI radio 94.5 today from 3pm to catch CAMERAS interview and acoustic performance. If you haven't got a radio stream it on the interwebs!

Here's a taste of the melodic beauty that is Sydney's Cameras!
www.myspace.com/camerasband

Yves Klein Blue - May 28th @ Supper Club

2009-05-29T00:06:00.002-07:00

So I remember once I wrote their bio for MTV and I remember they actually got their start through said worldwide music channel during one of their 'Unearthed-esque' competitions called Kickstart.
From memory they won about two years ago but I'd never heard a whole lot of them until their catchy little number 'Polka' appeared on some car add on free to air.
I remember my boyfriend liking it and pointing it out at the time, though I never remember what the add was about I always jumped around a little in my chair.

So last night the foursome took to the stage at the Oxford Hotels Supper Club, an elegant (maybe even too nice for me) venue where waitstaff actually bring out tapas and so forth. I felt out of place but basically it was a Thursday night hull for the who's who of the industry with some big shots from Channel V and other local idependent artist and scenesters filling the room.

The invite said there was due to be no support and that the gig would kick off at 8pm. Never one to be late, fellow blogger Reel-around-the-fountain and I conversed of some very tall glass beers and waited for the band to take the small level stage.

At around about 8:30pm the four YKB boys made their way through the crowd and affectionately kissed fans and friends on the cheek and shook hands along the way. I always love it when bands keep it personal.

I've never really been a fan though all songs were new, aside from 'Polka', I honestly wouldn't of known. Front man Michael Tomlinson fashionably dones the old school flapper haircut, straight edge and stern browed he's absolutely fierce. The kick off and already I'm doing my boarder line retarded knee dance that I do when I like what I'm hearing.

The songs are solid and I'm enthralled. I can see friends around the room but it's hard to make eye contact because everyone can't stop staring at Tomlinson and he can't stop staring at you.. He actually doesn't really blink and bares the infamous Ian Curtis nature, that almost epileptic look in the eyes and you can hear him giving every song his absolute all, songs often ending in gasps of exasperation.

It's been sometime since I've seen a performer so immersed in the upbeat yet deeper than the service lyrics. You almost feel exhausted watching them yet you can't look away.

Every song is perfect, sometimes bearing obvious influences such as Modest Mouse and even commented Vampire Weekend-esque new tracks.

The highlight of the show would have to be a solo performance Tomlinson provided acoustically about some past romantic endeavor. The lyrics are so genuine and I mean the role of an artist is to make you believe what he's singing, what he felt when he wrote it and I fucking do when this guy sings. I actually found my mouth on the ground when he utters the words "I care about the future, I do".

'Ragged and Ecstatic' is due out this June and their new single 'Getting Wise' just release on the 22nd of May.
I will buy this record. No doubt.

It was so refreshing to catch a band who aren't so full of themselves and offer to hang round for beers after the show and actually insist we don't wander off aimlessly to the kebab store.

You must see them live to see what they're about, though catchy on track it's just something you need to appreciate. Artists who are clever and give a fuck.

Listen to the vibe here;
http://www.myspace.com/yveskleinbluemusic

Or go to their website for ticket information for when these cats will be playing near you!
www.yveskleinblue.com/

I don't know if you kids knew..

2009-05-28T23:59:00.000-07:00

But Phoenix were a band before two thousand and nine.
A fellow blogger and I were discussing over a beer at the Yves Klein Blue listening party last night that it's been some time since a band has experienced such a solid comeback..
It's like they're fucking brand new..
I mean Phoenix are being welcomed in the way Axle had of hoped, but alas epically failed...
It's kind of like when Tegan and Sara released 'The Con'.. the girls, they flocked and were like..twisting hair calling it a debut..

Cool, but weird.. just sayin'..

Code Red - Chaingang - Watch This Space.

2009-05-17T05:38:00.000-07:00

Fierce! That's one word describe Sydney's groundbreaking new pop/rock and all round punk four-piece Chaingang.

The exciting boy/girl foursome really do put on a show of shows - collecting the who's who of Sydney's independent scene including Jake Grigg from Something With Numbers and Paul Mac also spotted in the depths of Chaingangs explosive Friday night show.

Sticking to fashion as their status quo and heavy riffs that make New York's Yeah Yeah Yeahs wish they were their first record. Chaingang have set the independent scene on fire with live performances wowing industry favourites and bringing back female-fronted punk.

Catching these guys is an energetic event. Front woman and soon to be fashion icon Hayley Foster ignites the stage with an eccentricity unseen and unchallenged since The Grates breakthrough circa 2006. Foster controls the stage, exuding attitude, mic chord in her mouth - is she she your best friend or do you think you wanna fuck her? Patience better watch her back.
It doesn't stop there, Fosters strong vocals mixed with the solid percussion's of the scantly clad and tattooed sleeved drummer Scarlet Saramore keep the tongues wagging while Dan Duque-Perez (guitar) and Mike Jeffery (bass) wipe the floor with killer riffs. Sydney needed a change of pace, something explosive and Chaingang are it!

Check it.

Just and inch of what's keeping me sane.. Silversun Pickups!

2009-05-14T00:33:00.001-07:00

A lot of people are partial to implying Silversun Pickups are a mere imitation of the melancholy expertise that is, well was Smashing Pumpkins. Sure I can see the similarity, the soft feminine vocals that are not harsh nor severe, washed with riffs of angst driven temperament.
All similarity aside, I've always liked Silversuns because of their sound, and yeah I am a SP fan but I'm not offended by the influence in their music.

'Swoon' is an angrier side of the Californian rockers, and you can tell with the opening track 'There's No Secrets This Year'. The record breaks open with a riff you'd expect off of a Pumpkins b-side. But the lyrical depth is different, I could go on comparing but I'm sick of it. Let's look at it as though it's its own release, relax.. you'll enjoy it more.

It's a bit dirtier than 'Canarvas' and I like that. The first single off of the record is 'Panic Switch' which is no 'Lazy Eye' as it were but definitely holds some weight. My only criticism is that this record is not particularly memorable as it is just good. I suppose my opinion is a bit wishy-washy but I think as far as music goeth, Siversun Pickups aren't doing anything different, they're just good. Good is great in this day and age, what with all the shit spewing out onto the airwaves these days.

I get angry about new music, I mean it's a bit rude to say but it just isn't what it used to be anymore. Where's the "fuck you"?.. I want a big fucking revolution. I am not going to commence a soap box induced rant about how music was better before I was born.. I'm just sayin'..

Either way, this record is worthy of a hard copy purchase. It's not wanky, pretentious or bullshit. It's a good record start to finish. Put it on and read a book. I give 'Swoon' three and a half OWM stars and below is one of my favourite of the the follow-up. Enjoy.

I've left you high and dry.

2009-05-13T06:21:00.000-07:00

I'm sorry kids.
I am the worst blogger in all the land.
Probably the most self obsessed in all the land.. Been tearing up the personal one for all it's been worth but alas, I have exciting news!

I've just been taken on board The Brag as a new contributor so keep an eye out for my shiz the awesome weekly music mag.

I've got a lot of gigs to write up, such as The Lazys and Parades - Who has been hearing them all over Triple J? I know I have been! So many exciting things going on.

Oh, and the new SIlversuns? Amazing right? AH.. all coming soon!!!

Tonight - Franz Ferdinand

2009-04-20T02:37:00.000-07:00

Just another perfectly packaged indie pop collection from the popular Scottish four-piece.

This backhanded compliment might come as a shock, (yes, I mean it with mild malice) but could this band be an safer?

'Tonight' has enough high rotated hits to keep Apple commercials fresh for at least the next three months and of course enough 'edgy' one liners for all those kids on Facebook to self indulge.

Why am I so negative towards this release? Well I just think it's a possibility that never putting a foot wrong can be nothing other than boring. It's too the same, too polished, too clean.

If it ain't broke why fix it right? Wrong. I'm a firm believer in taking risks, I'm a Radiohead fan after all. I like my records to show maturity, change in direction and musical exploration.

In saying that, of course the songs aren't completely shit. They're catchy and easy, I suppose I just wanted more from their third record.

If it's the same turd every time, will the kids still buy it? Yes, yes they will. Somewhere in Scottland these four men must be laughing in all their money.

I agree with The Brag review in saying that 'Tonight' is all hairtcut and no soul.

The Best Thing I've Seen This Week

2009-04-09T18:40:00.001-07:00

I am no good for you but Sia might be,

2009-04-09T18:26:00.001-07:00

Another instance of not being able to embed a clip - complete bullshit.
http://www.youtube.com/watch?v=Uvd814WG2t4

We here at OWM love a side of crazy, and the new single 'Buttons' by Sia is making for high rotation. Maybe because I can relate, but still it's quirky and catchy.

I really love that Sia, being so capable of penning the most beautiful songs can come out with something that is basically a ridiculous song. Not to mention the clip, it's white padded cell shit.

I think I can relate to upbeat mania.
I love it.

Yeah Yeah Yeahs - Zero

2009-04-09T15:30:00.000-07:00

Am I the only one that doesn't like it that much?

Maybe it will grow on me?

I just don't love it yet.

I can't manage to get a video embeded, as they all won't allow it which is unfortunate.

http://www.youtube.com/watch?v=DxZGYGojPeE Here is the link if you're yet to hear it.

It's catchy but.. just lacks? I don't know. I hate that I don't love it.

What do you think?

Yellow Brick Road + Other Things

2009-04-09T14:24:00.000-07:00

Hey kids,

I've been a little slack on ye olde blog these days, it's probably because I've been spending all my free time at shows and other times well I'm asleep. :)

First thing to note would be the impressive Sydney line up at Yellow Brick Road @ Oxford Arts the past month or so. Basically any favourite Sydney indie band we love to donate out ten to fifteen dollars to once a month have headlined this terrific free night.

Just to name a few I've been able to catch new Arts residency band The Spirits, my favourite smalls fry/big sound Papa VS Pretty, the soulful Cameras and the majestic Parades. With a change of sound guy the shows are becoming more and more successful with Parades pulling one of the bigger crowds I've seen thus far and also sounding the best.

Parades normally have a bit of trouble with their sound guys, but Mark Smithers seemed to capture everything just right, setting The Gallery alight. The Sydney folks I virtually dedicate this page to have experienced an amazing response from Australian radio giant Triple J with their new track 'Dead Nationale'. I also hear it is only 4 days now before they release a new track which is supposed to be well, earth moving.

Another mention to Cameras who are playing their first big festival, you can catch these cats at Sydney's Come Together Festival. It truly makes me happy when the ball starts rolling and people start to pick up on the sounds.

An unusual place for me to hang in is Kings Cross Club 77, though last week I found myself there two nights in a row to catch my favourite grunge act The Waysiders and Central Coast indie/pop-rock outfit The Inheritors.

So turning up to the venue I'm getting flash backs of some very dank and almost embarrassing nights spent in the generally grimy club from last Winter (I may have had a StarFuckers phase, don't judge me). What I do like? You can smoke inside so it's like a real gig and essence of marijuana is lingering and the air con's on so it's cool and well the amps are fucking loud. Cold, smelly and loud.

What I don't like? Well.. The fruit flies in the toilet.. Not nice. Also the girls in Target clothes making fools of themselves. The three dollar vodka special when the Vodka tastes like fucking Tequila or toilet water.

So anyway back to the bands.. The Waysiders.. I'd marry them, but it wouldn't work out. We'd all fight about washing up or something trivial like that. Haha okay, maybe not.

So they played a new track or two but their music, it's almost too good for the undiscovered Australian scene. I think if any of the indie kids should pick up a residency it should these three boys. They just sound so good in the background, they look so good and it's new age grunge, smooth and edgy. I know I dance round my room to 'The Inferno', it just reminds me of Thurston Moore in NY 1990's with a hint of psychedelica and when you're watching it live in the deep dark room in 77, nothing is more rock 'n roll than right there and then with your best friend stoned and a fake severed head on the DJ booth glaring at you.

I'd like to see them play more shows and write more songs, I really think it's something (their vibe) is something no one else is really trying anymore and I don't know why.

Dance in your underwear and click here.

After my taste of grungy post punk fun the Thursday night before, I drag myself down to catch a friends band from the Central Coast, otherwise my home town.

I will always support music coming out of my hood, because not a lot does sparing Something With Numbers and up and coming The Lazys.

Why do I like The Inheritors? Because it's been a fucking long time since I've liked a pop-rock band and I'm not saying it because they're from the Coast, I actually feel happy when I watch them. Maybe it's all the rainbows and bare feet on stage, or the headbands or even the vests?

It's just happy and I can see it getting some solid radio play and it doesn't make me shudder for once because I think it's something anyone can enjoy.

The lads had a EP launch at local venue Woodport Inn which has housed many indie acts like British India and Evermore and such. Apparently the crowd were through the roof, the place completely covered head to toe in giant colourful rainbows, the literal and musical kind. Otherwise a complete success.

I think keep an eye on the guys, who just recently finished touring with Kisschasey and if I can recommend a song I'd say my favourite is 'Fever'.

www.myspace.com/inheritors

Other than that there is lots more to come V Fest Inclusive, though not much went down.. Just a lot of food and also some MTV Awards adventures. I know I'm a few weeks late but better late than never :)

can talk shit.

2009-03-30T18:33:00.000-07:00

http://www.mtv.com.au/news/backstage-jam-shortstack-do-kylie/

http://www.mtv.com.au/news/backstage-jams-biffy-clyro-do-rihanna/

http://www.mtv.com.au/news/backstage-jam-bridezilla-meet-their-match/

The Kills @ V Festival Sydney

2009-03-30T05:07:00.000-07:00

I couldn't find a better word to try to describe this act, than just.. fuck.
Fuck, one for Alison and another for Jamie.

The impeccably dressed Brits took to the tiny V Fest stage and just fucking tore it apart.
I've been to a lot of festivals, seen a lot of international guests do the same boring thing, however The Kills just brought sex. It's been sometime since I've seen sex on stage, sans Sex On Fire, if you were making that joke, just, well .. go die? Please? Baby? Okay.

Alison, dressed in skinny jeans, a tattered Ksubi tee and leopard print jacket seems anxious as she paces round the small stage, cigarette continuously lit. She sings perfectly on cue and presses her tiny yet intimidating frame up against the speaker to inhale deeply and perfectly in time between vocals.

The U.K duo opened with their leading single from 'Midnight Boom' (their most successful in Australia to date) 'U R A Fever' and the crowd are in awe. The trendy two take turns in lyrics, perfectly on time, perfectly in tempo and all I could hear is people describing the rapes they planned to 'do over' on the two when the song wrapped.

You can't take your eyes off of Alison as she paces but you can just hear Jamie's guitaring consistency whist the drum machine goes and it's like some work of art.

The Kills performed most of the tracks from 'Midnight Boom' and hits like 'Kissy Kissy', they don't bullshit you between songs and the sound is better further back I soon discover.

Highlight of the set, 'Black Balloon' as day day turned into dusk this was the perfect track for me to forget another day in the fucking sun. I hate the fucking sun.

Closing with 'Cheap and Cheerful' you can hear all the girls screaming the words they know and i still want to have sexy with Alison. Maybe Jamie.. Maybe both?

Low light? I don't have sideshow tickets. Fudge.

Time has gotten by on alibis and wine

2009-03-24T14:52:00.000-07:00

So hello boys, and girls,

It's your crazy, lazy blogger here, and I come bearing new ideas and a new approach.

I've been the busiest bee you can imagine, having just recently moved to the city you can imagine the kind of social realms I've been exposed to and obviously I've been enjoying them thoroughly. This has left my general health and blogging time in shambles - How rock 'n roll you say? eh.
"Just lying in a bar with my drip feed on
Talking to my girlfriend just waiting for something to happen"..
Literally, these days.

So my apologies kitty cats, but always one for a side of redemption and revenge, I'll be back very shortly with a refreshed sense of direction. I've always been a firm supporter of the Sydney underground but I must start listening to to new beats, even if I hate it, I suppose I can rant to you about that yeah? Though I will still continue to support the indie kids no doubt, just try and expand my musical horizons..

Not only that, I will be blogging from backstage at the MTV Awards, so I'll be rubbing VIP passes with the big kids (ie. The Killers and Kaiser Chiefs) so no doubt I will have a story or two for y'all.

This might just be a big year for us yeah?

MTV Brings You Papa VS Pretty - or I do :)

2009-03-18T00:45:00.000-07:00

http://www.mtv.com.au/news/1259/

The guys who say "fuck" without saying fuck.

Holy Sheet.

2009-03-04T16:22:00.000-08:00

Wednesday Yellow Brick Road @ Oxford Arts

Dude, dudes, anyone..
My new favourite day of ze week, Wednesday.
Not only are they bringing the cheap beers but the burning underbelly of Sydney's Indie scene.

Here is the line up for the next month, keep cream in jeans.

11.03.09 - Papa Vs Pretty and Strange Reactions
18.03.09 - Cameras and Love Parade
25.03.09 – The Waysiders and Smoking Vaults0
1.04.09 - La Mancha Negra (plus support act TBA)

See you there?

The only time I will listen to GaGa or Mayer.

2009-03-03T21:49:00.000-08:00

CAMERAS AT V? Yes Please.

2009-03-03T20:46:00.000-08:00

Despite the notable handicap of having yet to play in a garage as such, the good judges of the Garage 2 V competition (whereby a lucky entrant will be selected to play at the V festival along side the Killers, Kaiser Chiefs et al) have overlooked this and selected CAMERAS as one of 4 bands to compete in an old fashioned 'vote off' for a spot in the final.

Now Cameras are the likes of Sydney's precious underground sound destined for musical goodness and I for one would 'shit a brick' at the thought of these guys at V.

Do a little for the little guys with the big sounds, have a listen to their vibes here - the thee piece have just launched new tracks 'Horizontal' and 'Vampires In Transit'.

It's like Chan Marshall and Johnny Greenwood got kind of high and locked them selves in a cabin with Thom Yorke acting as cabin curator for a weekend.

So what does one need to do to give soul a chance?

Please follow the link below to vote for CAMERAS to compete in the Garage 2 V final. Just say in 25 words or less why CAMERAS should win a slot in the national final and YOU COULD WIN 2 VIP TIX to V FEST, a Nokia 5800 mobile AND if you forward the band your confirmation email for voting to cameras.band@gmail.com, they lovely Cameras crew will send you one of their brand new tracks 'Horizontal' which they have just recorded! Click below to vote for Cameras:

http://www. fasterlouder. com. au/competitions/show/901

P.S. A gig at Oxford Arts new Wednesday night of debauchery Yellow Brick Road has surfaced for March 18th.. If you're smart kids I'll see you there.. Cheap beers and Cameras yeah?..

P.P.S. You don't have to do the 25 words or less bit, only if you want to wins some bigs :)

Papa VS Pretty - Brand New Track

2009-03-01T01:54:00.000-08:00

So you may remember back in the dizay' when this blog was born, one of the first entries was about the talented Sydney three-piece that is Papa VS Pretty.

The three young boys have become regulars on the local music scene, performing the summer festival trail and delivering wild live performances without fail to their growing supporters.

These cats as noted below are playing World Bar this Friday with fellow local artists Parades and as a treat have delivered me some brand new goods for your keen ears.

Here's a taste of the awesome to come, I hope you're in a very young Nick Cave kind of mood.

PAPA VS PRETTY - ARRESTEM

P.S Check the bands Myspace here for tour dates and to have a listen to the rest of Papa VS Pretty killer tracks.

So The Boring Collect, I Mean All Disrespect.

2009-02-26T02:12:00.000-08:00

Just sayin'...
Two of the most talented bands coming out of Sydney right now are getting it on on this poster and I'm doing all I can to contain the cream..

Just shut up and be there..

British India - God Is Dead Meet The Kids

2009-02-24T18:36:00.000-08:00

The Melbourne lads have just released the second film clip from their sophomore record 'Thieves', thoughts?

BIG DAY OUT SYDNEY ~ 23/01/09

2009-02-04T00:25:00.000-08:00

What a year to blend into other years.

It was my 5th year Big Day Out Anniversary and it was, yeah okay. Nothing amazing, nothing short of shit but to be honest, it's either me getting old or times are changin'.

When I draw back on the memory, the whole ordeal brings to light scorching heat and too many fucking people. I can only estimate it was almost 40 degrees in the middle of the day and with no where to hide from the sun, I really started to question if Olympic Park really is the best venue for such a festival. Yeah it's big, but the sound is kind of shitty (especially the main stages) and when it rains or simply burns the skin on our bones, there is really nowhere to hide. This is my first complaint.

So the day started off in some ridiculously long, smoker friendly line with a 30 minute waiting time to even walk in the door (without even showing my ticket) in 30 degree + heat. So it came as no surprise whilst watching the end of the fantastic Children Collide, it was lights out scout. I was watching the Melbournites perform the last of their set, when suddenly it was all white bright lights and ears popping. Luckily I made it to St Johns in time for an excess of water and recovery, just in time.

So I walked aimlessly around in hope of recovery, seeking shade and H20, then it came time to catch The Ting Tings, and nothing much has changed, they still sucked and for some hope of improving their sound the peeps at BDO put them on the small stage? Idiots. I've never seen so much human traffic in that grassy space and it was literally human traffic a la Sneaky Sound System in the Lillypad 2007. Drag. Did I mention there is possible pun in calling them The Tin Tins because it would suit better.

Next up was Black Kids and they were amazing, I didn't see much as I was holding prime position for TVOTR, however the U.S kids sounded just like their record and normally I hate that but after a disappointing day it was nice to hear something of quality.

And now for what I had been waiting for... TVOTR!
It was good, great, amazing but I expected more? Their sound I think is better suited for indoors with many songs almost hard to make out for the first minute. The exotic, eccentric dance moves held my gazed and the crowd were really chilled, besides one girl off her tits flashing her undies to everyone. All in all I guess I was happy to hear 'Staring At The Sun' as well as a distorted 'Red Dress' but wish I caught the sideshow.

I start to lose track of the day a little, a mix of vodka slushies, cooling summer eve on the grass and My Morning Jacket (who were fucking impressive!). Here comes the best part of the day where you start to find everyone because they're too fucked up to move fast now and all your text messages start to transit. I caught The Drones, got in a grass fight and made my way to the Arctic Monkeys.

I'd missed these guys several times now, but was never particularly fussed, and to be honest the main stage did the U.K teens no justice. It's very hard for anyone to sound good in that stadium (cast your mind back to White Stripes walking off stage in 06') and it was just kind of luke warm to me. Could of been the vodka or the torn choice to be there instead of Hot Chip (even if I did see them the Wednesday before).

The best thing was their cover of 'Red Right Hand' originally by Nick Cave and The Bad Seeds. It was pretty hot, but definitely lacked the edge and sophisticated murderous essence that Cave provides, though still a highlight.

So one drink blends into the next and my memory starts to decay, from my memory I ended up catching the end of Hot Chip performing 'Ready For The Floor' and in the chaos of the barricades and masses flocking to see The Prodigy, my equally sweaty friend and I decided to wander, accidentally stumbling upon a very empty arena with a lone Neil Young. I was too messed up to take it all in and somehow ended up back in the Boiler Room and amongst the wet mess witnessing The Prodigy who were quite literally off the wall.

The rest of the night has faded and I somehow woke up sans phone and only a sun burnt forehead. Kind of alright really but now particular moments I'll remember for life aka Arcade Fire 08', The Hives 05', Mars Volta 06, and well nothing really in 07' thanks to the special K bomb.

Will I go next year? I honestly don't think so... Don't quote me on it though..

Oh a baby sister

2009-01-20T23:31:00.001-08:00

http://tinysinglesounds.blogspot.com/

Look what baby made waiting for a lift.

What I've Been Listening To In The Background

2009-01-16T21:00:00.000-08:00

The Protectors ~ The title sounds like an influential 80's band late for it's time.

So an OWM reader sent me an email suggesting 'The Protectors' to me and well for the first time, I actively traveled straight to their Myspace page (and lets just take a moment to praise Myspace music, making the digital world just that much more excessble and well just better - amen)..

I was caught of guard by this electric dose of camp, not too camp, just right. The first track is Dangerous Boys and it starts off distorted but carried with a nice soft guitar intro and then evolves to a riff I'd expect influenced from the first Killers Record. It's really upbeat and at first my funeral music taste was all intimidated and hated it. Trying to open up my musical pallet I listened again, I liked.. it is great weekend music, before you go out, cleaning your room and well I'd definitely catch a gig, it sounds like a band who would deliver an upbeat performance.

I like how none of the tracks sound alike, 'I'm a Sister' reminds me of 'The Young Knives' and 'Speak Slowly' is a decendent of LCD and Hot Chip.

I can name all of these influences even if they have not had a hand in production, if they all sounded like the same artist I'd have a problem, but there is nothing from with takes of influence from an array of respectable acts.

Summer soundtrack? Check it >> http://www.myspace.com/theprotectors

We Are Scientists - Thanks to an amazing Glastonbury DVD

For my 21st birthday I received some amazing gifts, some I'd use, some I'd only hop to ie. A Gordon Ramsay Book (I've read it and tried, but you see I've ignited my kitchen twice now - truth is I'm just scared) but one of the best was from a mates Dad who burnt me 08's Glastonbury DVD's.

It hurts to watch because it seems an injustice that I wasn't actually present but through the power of T.V I can watch it from my bed. I picked up a variety of acts mainly We Are Scientists, their performance of 'After Hours' got my attention from beneath my pile of uni readings. Bad W.A.S for encouraging no study.. anyway it's a fun song on high rotation which you confuse for a story about unity and love or something like that but it's basically about a venue haha. It's nice, and starts almost exactly like (Antichrist Televisions Blues) by Arcade Fire, I can overlook it because it makes me happy.

I also picked up on The Editors, the U.K version of Interpol, I like it but not sure if I can stand the similarity.

Ohhh I FINIAL LY got 'Dear Science'! Only now you say? Yeah, only now.. But you see music this fine needs time, appreciation and company.. I need to be with it night and day and I just have not had the time until now.. it's great, wait no, that's dressing it down.. it's immaculate, a portrait of everything (and it's little) great that's going on in music right now, it's like coke in the nose of the nobles.. Raw, deep and bubbly indie sounds.
The best thing about TVOTR is their impeccable talent with loops and Tunde Adebimpe's perfectly echoed vocals. Perfection.

Oh and in other OWM news, we are going to be one of the lucky blogs who will be receiving an exclusive look into one of Sydney's best indie acts new tunes :D This will be an amazing thing for me and you kids because of course if I'm listening, so will you.. More on this soon!

ALSO THOSE OF YOU ATTENDING BIG DAY OUT - do not be lame and show up for the main acts, get outside the bubble and see some kids you might not know! I know Sydney has Children Collide, Sparkadia, Eddy Current Suppression Ring and a few others on early, totally check them out.. DO IT.
Take care crumble-butts.

TUBES 4 GOOGS - Where you need to be Jan 10th!

2009-01-04T02:12:00.000-08:00

So as you should all be aware, I am in fact a Central Coastian that somehow got under the fence and made it to the city of Sydney! Thankfully!

However I haven't forgotten my roots nor the place where I sat discovered all my favourite records as I grew up.

So the place doesn't have much but sand, ocean and beer but it has some great people too and the cool cats from the Coast are throwing the biggest event on the beach side towns calendar Tubes 4 Googs!

What's a Googs you ask? Well a "Googs" is a Sean Macgugan of the tight Avoca community who suffered a horrific spinal injury whilst surfing in Samoa in 2003. So in support of Sean and those less fortnuate, Sean's Mates and the whole Central Coast community put together a surf for charity event on the beaches of Avoca including a kick ass benefit night to top it all off.

All proceeds from the comp and benefit go to charity and the whole weekend is killer.

So with a few extra hands involved 6 years later T4G has become a largely sponsored event which takes over 3 days of the January calendar and host some of the best local talent for one night of madness.

Who can you catch this year? Amy Meredeth, Parades, The Lazys, Goons Of Doom, Vaudeville, We Are Grace, One Jonathon and many many more all for $20 at The Woodport Inn who recently hosted Melbourne teen heart throbs British India which sold out to a packed house.

The booze is cheap, the cause is great and the bands are killer.. Why wouldn't you be there?
www.t4g.com.au for tickets!

Happy New Year kids!

My Top 5 Records On High Rotation 08

2008-12-29T21:19:00.002-08:00

Children Collide – The Long Now – Most Anticipated.

I can say this was my most anticipated of 2008 easily.
When these lads signed up with Universal (home to other Aussie acts such as Grinspoon and Jet) I was curious to how the production giants would portray these musical rogues from the suburbs of Melbourne.
Children Collide aren’t some hot new thing from the fluro gen, nor are they thrusting through the airwaves, they’re better known to those Triple J fans and punters were more likely to see them doing the duties of support acts over the last few years.
In saying that, those shows and solid Triple J support has landed the lads the majority of their fan base.

Children Collide have an obscure eastern European premise that no one has proven to compare right now and I was impressed that there was no image sell out which is usually associated with hooking up with mega record labels.

It’s basically a polished EP but I still love it.

Sparkadia – Postcards – Most Surprising

These kids literally came out of nowhere. I had never heard of them, and caught them sneaking into a free Dappled Show which had reached capacity. Literally, this record rocks.
Live, recorded the songs are just good, no real cliché hooks or lame lyrics just a solid album. Great flow. Great band.

The Subways – All Or Nothing – Most Predictable Sam Choice

There isn’t much you could do to tear me away from this band. They can break-up get engaged, get loose and get lyrical and it’s all fucking gold. I just love that U.K London rock sound, kind of obvious riffs but this is an angrier offering and I just like it better that way, this one would be particular to taste I’d say.

The Kills – Midnight Boom – Most likely to not make a follow up but get it while it’s hot!

New band and new Kate Moss beau, these kids from the U.K have it going on with this kind of easy pop edgy sounds. I’m always one for male/female acts and intertwining vocals and the record is just really fun. Great variety of upbeat tracks and some more mellow like ‘Black Balloon’. For the kids who know the English do it better.

British India – Thieves – Second Most Predictable Choice

Say what you want about these Melbourne kids, they make a great record in little time. There are a few fillers in there but ‘Thieves’ provides a deeper look into Melia’s and Wilson’s musical partnership and offers more hits than Triple J can throw a female vote at.

Soko @ Oxford Arts

2008-12-29T20:08:00.000-08:00

In a music world jam-packed with Internet sensations and overnight fame fare for fifteen year olds, it was no surprised when the masses took to a cute little French girl with gutter mouth and an adorable accent with an interesting trademark of ‘frenglish’ if you will.

Soko set the Internet and airwaves alight with her single ‘I’ll Kill Her’ late in 2007. The song detailing her desire to kill the girl who caught a love interests eyes over her and projects their future together in a ‘what would have been’ scenario, all ending in threats.

The first time I heard her it was love and after seeing the petite Parisian in person and perform, I can say it’s safe I’ll never love again. Unrequited loves a bitch right?

After a few wines at The Exchange a primarily female crowd filed into the depths of Oxford Arts and awaited patiently throughout the support. Cuthbert and the Night Walkers were amazing but played a little too long for an opener. They kind of sound like early Architecture and Helsinki crossbred with Arcade Fire and B52’s. I dug it.

Anyhow, we waited on for another half hour of sound checks and such and in great anticipation became slightly restless. Alas, at about 10 o’clock the red curtain exposed three keyboards one on which sat a tiny cat lantern, an assortment of acoustic guitars, ukuleles, bass and a miniture drum set. Oh and then emerged a sleepy looking Soko almost out of nowhere!

She’s quite short and dressed in a loose white singlet and her voice is as squeaky and as cute as you imagine when she says hello and declares her jet lag.

Opening with a proclaimed lullaby, I bent down to grab my camera and it’s utterly quiet. You could literally hear me rummaging through my shit; the crowd was entirely engaged in the tiny little voice.

The song came to a holt and the Parisian became alarmed realizing she had not lit her incense and frantically rush around the stage and lit the two sticks stating that “now she could play”.

Soko introduced her entourage of two and set into ‘Happy Hippy Birthday/They Shoot’. The most moving of the performances as she tells the story of hesitation to contact the one you love on their birthday, when they don’t love you. Declaring the man in the song the only man she can love and wrapping up the song in tears. My cold heart literally broke for her.

My favorite song of the night would most likely be ‘I Wanna Look Like A Tiger’ performed in the tiger hat/rug/god knows as pictured above.

The audience interaction was unlike any gig I’d been to before, Soko literally conversing with the crowd and speaking openly to the light and sound guys throughout the performance. After continuously requesting not so much light and eventually no light to which they ignored she finally demanded the light guy “go to the bar and have a beer” to ease the heat on stage. Unfortunately the lights were turned up yet again and inspired my favourite Soko quote of the night “It’s not that I don’t like lights, I just don’t like lights”.

The lights were as unruly as the many drunken clowns in the audience, most making me embarrassed to be Australian (you know the bogan who requests ‘Khe San’ at a French show… no joke.. someone actually asked Soko to play Cold Chisel!). The sound wasn’t much better with serious distortion marring the majority of the show.

After a while the songs start to melt into one another and all bled to be the same about dying alone, being alone and unrequited love, did I mention dying alone?

With no set list the show continued into it’s second hour which provided the crowd pleasing hit ‘I’ll Kill Her’ and my favourite ‘Wet Dreams’ which was performed with a kind overweight man from the audience who seemed quite pleased to stand next to the petite potty mouth as she sung about “bang bang bang in the back of your mothers car”.

I’ve walked out on very few shows in my life but after the French darling realized there was no curfew and could continue playing I wasn’t ready for more due to a painful pair of new shoes and some friendly wine and decided to hit the road with a few other punters.

It will definitely go down as one of my favourite shows ever intimately and I’d definitely see Soko again because the whole time you feel like you’re in this conversation with her about her bizarre life and it’s probably the most enchanting thing.

Favourite Songs In 2008 NOT Released in 2008.

2008-12-22T17:17:00.000-08:00

I seem to be particularly impared when it comes to liking music when it's released..I prefer to let it age, mature, let the times change and then and only then will I sit down and listen.. Crazy? always.
And now in no order...

Bigmouth Strikes Again - The Smiths 1986
Kiss off - Violent Femmes 1982
Shakin' all over - Johnny Kidd & The Pirates 1960
Untitled - Interpol 2002
kool thing - Sonic Youth 1990
100% - Sonic Youth 1992
Please Please Pease Let Me Get What I Want - The Smiths 1984
I Don't Blame You - Cat Power 2003
Gravel Pit - Wu Tang Clan 2001
How To Disappear Completely - Radiohead 2000

Bloggers Resolution.

2008-12-19T01:39:00.000-08:00

As overrated as they are, everyone has at least one.

One that we honestly believe we will not commit to, but sweeten ourselves with the mere entertainment of thought that we might hold true to it.

I do this every year.
And it's the same, save money, eat less McDonalds, stop cutting my hair on impulse.
I never listen to anyone, let alone myself but in the spirit of self belief I will attempt to commit to some musical resolutions.

Thou shalt listen to Fleet Foxes!
After mounting pressure to do so I've become ignorant and have purposely been avoiding this apparent "amazing band" .. There's too much pressure when you tell me they'll do to me what Arcade Fire did the first time.. Big shoes to fill but Kevin, Ally.. I will, in 09.

Thou shalt seek help for singing Metro Station!
This explains itself. And that's the biggest secret I'll ever tell you..
Apart from the fact I bounce around my bedroom in my underpants.. "shake, shake, shake, skake-eh, shake it!"

Thou shalt listen to more rap music!
I always forget how much I love it and thanks to some slammin' battles with Michelle Abraham at a certain concert back in October, I've rediscovered my love for 90's rap. Ah, bask in the broke poetry.

Thou shalt cease talking about attending The Hopetoun on a Monday night, and do it!
Again, self explanatory.. Lisa, this one is on you to help me through.

And of course, the obvious...

Thou shalt blog more often!
With my weekly contribution at MTV lightened, I should have more time to pleasure your eyes and ears and hopefully make this a better blog.

Well kids, it's been an interesting year but that's not all from me yet..
I will fill you in with some very me top 5's before the year is through but fuck.. make it a rockin' 08 and go out in style.. I know I will.

peace ...x

Top 5 Gigs of 2008!

2008-12-12T02:01:00.000-08:00

It's been a fucking good year for live music in my books, I was able to see three of my all time favourite bands, two in which I was sure I never would get the chance..

So when I decided to write this Top 5 I didn't realise how much work I had ahead of me.

I've seen so many shows this year, the biggest acts in the world, to the smallest acts in Sydney and I'm not surprised that the little guys are making my list!

UNO.
ARCADE FIRE - ENMORE THEATRE 23/01/08 - Big Day Out.
Probably the best gig I've ever seen.
Intimate and in the front row I got to witness close up and personal the magic that is Arcade Fire.
No doubt one of my most favourite bands, I was ecstatic when treated to all my favourite tracks.
Opening the show with the illuminating 'Wake Up' and closing with an intense cover of Violent Femmes 'Kiss Off' with next to no instruments or sound .. My mouth was on the floor.
AGAIN AGAIN AGAIN. I'd kill.
Here is a moment I will never forget - god bless youtube. It gets going at 1:37

DOS.
SMASHING PUMPKINS - V Fest March
After spending most of angst ridden teenage years scribbling the lyrics from 'Siamese Dream' in my journal, I never thought I would ever get the chance to see them. Ever. It was up there with Nirvana as far as I was concerned.
To witness a mass of people chanting the lyrics to 'Today' reduced me to tears. I had been waiting for that day for almost half my life.
Many people will tell you it was shit, because they played new material which I fucking love so eh.. but it was an unexplainable moment in time to witness a musical god with a crowd in his palm and war peddle at his feet. I could even forgive them for leaving 'Zero' off the set list and playing Britney instead ;)

TRES.
RAGE AGAINST THE MACHINE - Big Day Out Sydney
Another on the list of 'never going to see just give it up' however thanks to a year of solid comebacks the 90's alt gods blessed our shores headlining the Big Day Out.
Due to Bjork pulling out they played right after Arcade Fire and if I wasn't already in an amazing mood this sure as hell topped it off.
Opening with 'Testify' as it gently sprinkled rain upon the raging crowd, RATM were better than I could of ever imagined and ticked off one of my most life changing gigs yet.

QUATRO.
CHILDREN COLLIDE - The Metro - June?
I'm going to give this to a support act.
You don't expect your support on a bill to steal the show, but Children Collide pulled the rug out from under Grinspoon sometime in June.
I've now had the pleasure of seeing these guys four times but the show I am referring to was the second.
I was utterly hypnotized in the intense riffs and killer light show in sync with Johnny's rhythmic guitar spasms. Instrumentals and solid performances of the standard 'Cannibal' and 'Amphibious' it finessed as soon as it started and I couldn't get over the spectacle. It truly was CC at their best.

CINCO.
CAT POWER ENMORE THEATRE & Parades - The Annandale
Fifth spot is a tie between Cat Power & Parades.
The reason for this is because Cat Power, though amazing in performance, her voice as haunting as it is sweet, I was in the WORST mood during this gig.
I simply had so much trouble enjoying myself and really wasn't present for the gig.
However,when I think back, with vocals as smooth and husky and a room in awe of brilliant echo, her performance really was breathtaking.
And the runner up is Parades - My most favourite Sydney band!
Back in June these guys were playing at The Annandale in between acts such as Dappled Cities and The Seabellies and to tell you the truth, the small sets performed in intermission of tore up these headline acts in my opinion.
I've mentioned this gig before, and it still takes my breath away. Small room, beer on the floor, these guys playing meters away from the bar but worlds away from any other alternate band in Sydney right now, they really brought it.
I still remember just standing still in bouts of awe even after the band had clearly disappeared from sight. Killer. Intimate. Real music.

I've missed out so many shows and it was really hard to pick but these shows were the life changers :)
Let's hope I am as lucky next year!

What A Fucking Joke.

2008-11-24T23:43:00.000-08:00

Kids, kiss goodbye freedom, festivals and fucking fun.

The future looks dark as early finish threatens music festival...

Now it's time for all things nice! PARADES.

2008-11-19T21:18:00.000-08:00

A few months ago I spawned this little blogging machine and my first post was all about my favourite Sydney Indie band Parades!

At the time of print, the alternative group had just lost their magical, capricious female counterpart in a move best for the bands direction. At the time I was worried Parades might lose their niche and became increasingly stalkerish in attempt to gain details of a reformed line-up.

Sneaky Parades quietly surfaced with a female stand-in at the Jebediah concert at The Annandale in September, though unfortunately the shoe didn't fit and the the unlucky hopeful was sent packing. Not today disco lady.

Shortly after, a lovely young lass was plucked from Sydney's musical obscurity and with no more than a months practice Oriana De Luca was thrusted upon our feasting ears and eyes in a very intimate gig at Sydney's Spectrum.

It's safe to say I am their harshest (annoying) critic (apart from the band themselves and it's only out of love) and to be honest, I wasn't feeling the new addition. I probably jumped the gun too quick and maybe it was that I felt a loyal affection to the previous co-vocalist. As the gig progressed, Oriana became more and more comfortable on stage, her harmonies slipping into Daniel's and Parades began to form and come together like a perfectly constructed puzzle.

Still in love, I haul ass to Q Bar before 11pm (fright) a Friday or two ago to pledge my support and bring along some new ears, fellow blogger http://reel-around-the-fountain.blogspot.com/. Although I was almost too drunk to stand (I was actually requested by miss Reel to eat something) Oriana tore it apart and everything was perfect!
Co-voaclist and music extraordinaire Daniel, always the showman actually performed his drumming solo amongst the crowd in the middle of the floor! My jaw hit the sticky floor quicker than a teenage girls panties at a Jonas Brothers concert. Unbelievable.

Only getting better man, trust me, catch these guys it's too good to miss, even Triple J thinks so, putting the Spotlight on them for their famed comp Unearthed. Yeah! Yeah! Yeah! So rate them here, def worth it!
http://www.triplejunearthed.com/Artists/View.aspx?artistid=19421

And for you Coast people, I'm bringing them to you for Tubes 4 Googs this January so fear not.

http://www.myspace.com/parades

27 Dec 2008

8:00 P

The Hopetoun

Sydney, New South Wales

30 Dec 2008

8:00 P

Peats Ridge Festival w/ Pivot, Firekites, The Devoted Few, Sparkadia, + 195 more

Central Coast, New

South Wales

Also check out www.t4g.com.au for line up info on the event including PARADES!

p e a c e.

You And Your Little Dog Too!

2008-11-18T22:25:00.001-08:00

So my blog is pretty new, and I am still getting used to all that comes along with it, this includes criticism and open argument.

Yesterday I posted the below entry about Aussie rockers The Vines and I received some notable feedback which at first I didn't know quite how to take it, however I felt I didn't make myself clear.

Mental illness is a serious matter, so serious it is not something I take lightly nor something I base my music values on.

My blog below doesn't point the break down of the rock machine that is The Vines at mental disease or illness, but a troubled past and continuous chances post erratic behaviour.

Whatever the cause is behind The Vines pulling out of their tours, they are conducting their music and their lives in a public media sphere, ergo anything they do or do not do is subject to criticism to the public, no matter the cause.

We all watched the famous meltdown of Ms. Britney Spears late last year and you know what? Shit happens and when people act erratically in public or let down fans alas the backlash will no doubt follow.

Now my blog is just a place for me to review, and shout out bands I like and believe you me, it's not something I'd "quit my day job" for. However my day job is at MTV Australia where I am a published music news writer so I like to think I know a little about "what not to write".

If every blog was as ego stroking as the next don't you think you'd be a little bored? You're not going to agree with everything I write but in saying that I regret if I offended anybody who suffers mental illness or knows someone who does.

Be unmerciful. Be Honest. Be cool.

Sincerely wishing Craig all the good help he can get not to mention a speedy recovery, who knows, maybe I'm wrong?
:)

And The Curtain Is Closing.

2008-11-17T22:00:00.000-08:00

Remember when you heard this rockin' new band in 2002?
And NME predicted a second coming of Nirvana whilst they graced the cover of Rolling Stone Magazine?...

Yeah The Vines once had a A LOT going for them, it's been six years of turbulence and second chances though it seems no matter how many opportunities these boys get, they're destined to fuck them all up.

I say this with regret, one of my most life changing records is 'Highly Evolved' and my idea of sex is Craig Nicholls, so it saddens me to finally turn my back on the home grown lads and admit this ship has sunk.

You might remember their woeful antics in 2004 which saw the lads banned from giving interviews by management and being booed off stage. Not to mention the radio station boycotts and the paparazzi assault to which Nicholls was officially charged. Fuck.

'Winning Days' was in fact a production of losing all face and the lads disappeared into what most hoped a one-hit-wonder oblivion.

Alas, reformed and tail wedged firmly between legs, a new line-up Vines took to a bunch of secret shows promoting their unexpected third studio record 'Vision Valley'.

For those who saw the performances in 2006 will tell you just how agile and sorry Nicholls was, continuously thanking the crowd for their ongoing support and seemed genuinely thankful and anxious.

We've all seen rock stars, wreckless and living the dream giving countless unpredictable guitar smashing stage performances.

Nicholls seems almost retarded but resembles a grunge god all at once. Whether you appreciate his tanless bare body the singer will light up cigarettes in his glowing glory and remain shirtless for entire sets generating some kind or morbid sexy.

The return of The Vines was well received but it was not Rolling Stone profit worthy and the band still seemed a shaky mess at the end of all tours and promotion so back into the studio they marched.

This time around in 2008 The Vines released 'Melodia' and took to big stage with several highly anticipated shows booked around the country.

I myself checked out the show at The Metro theater which I was really quite excited about. The show was pretty darn good, Craig did his thing, demonstrating reflections of autism and mental instability but it came off sexy and sounded wicked. I was actually really impressed despite the thunderous "thank you's" and obvious anxiety.

This was on November 2nd, by now, Novemeber 18th, The Vines have canned the rest of their tour unexpectedly and pulled out of every Music Festival including the much anticipated Big Day Out festival they famously took by storm in 2003.

The Vines only cancelled a single show at first blaming it on Nicholls anxiety of flying and issued an apologetic Myspace bulletin to the fans. This was soon followed by the news of complete tour cancellation due to Nicholls decreasing mental health, also pulling out of their Japanese tour, heavy man

So, Craig Nicholls is a shitwreck, always has been but it seems they're finally blown their last chance. Will the fans actually welcome them back AGAIN or are we all just sick of their shit? I'm going to go with the latter, see how quickly their record company drops them?

Harsh but true.

If I were an alternate DJ for one set.

2008-11-17T21:44:00.000-08:00

Okay, so I know nothing about getting a room pumping, but all I do know is what gets me off in a club.
Mostly undanceable tracks, and more sitting back sipping songs for me to just be like "ooh I like this one"..

Just so you know, I am so unqualified at this, I cleared the d-floor in Q Bar this Friday by requesting a Smiths song.. boourns.

If I were a DJ..

Idioteque - Radiohead
How Soon Is Now - The Smiths
Wash The Day Away - TVONTR
Kool Thing - Sonic Youth
Burn My Shadow - Unkle
Obstacle 1 - Interpol
Operate - Peaches
Laika - Arcade Fire
Gravel Pit - Wu-Tang Clan
Shove Your Hope - Santogold
Bigmouth Strikes Again - The Smiths
Right Here Right Now - Fat Boy Slim
Coffee and T.V - Blur

Click Click CAMERAS!

2008-11-05T22:53:00.000-08:00

Delayed, but oh sooo worthy.

About 2 months ago I was reading, Drum Media or was it The Brag? One of the likes and in a tiny, itsy bitsy blurb I saw the names Cat Power and Radiohead. Now, these titles are like food to a homeless person to my eyes so I read the blurb for proper inspection and of course to check the names were not used in vain.

It went on to read how this Sydney band was a talent collision of the two prestigious sounds, that of melancholy, whimsical vocals and alternate bars and synthesis. If you know me, I instantly became wet at the though of something that magical deriving from out local Sydney suburbs.

Turns out, lead singer and keys artist Eleanor Dunlop is Triple J unearthed alum. The talented songstress has intended on going solo for some time though when Fraser Harvey (vocals, guitar) pressed the idea of starting a band for the last time Dunlop conceded to the idea. With Ben Kingssott (drums) in tow, they were then ‘Cameras’. Rad.

Anyway, after obsessing about these guys for months I finally caught wind of a show they were doing at The Hopetoun. I was on that train so fast I am pretty sure I left my keys inside, which I do a lot.

The three piece were competing in the Hopetoun Homebake Incentive, which takes place every Monday up until well, Homebake.

The first song they played is by far my favourite ‘Defeatist’, which features Harvey predominately on vocals and Dunlop harmonizing in the background. The contrast and dissimilarity between male and female vocal harmonies always portray that effortless edge of melody.

'The Bolshelviks' is a second favourite. It bears a more psychedelic influence, that of The Rolling Stones and old rock and roll. It's a considerable variation from the other tracks but isn't too left field and just picks you up if you're doing a roll through all the tracks.

Most songs feature focuses mainly Dunlop on vocals as her huskily smooth voice as sexy as that of Chan Marshall. Her haunting melodies lull you into some kind if indie hypnosis.

CAMERAS.
See them, you'll know what I mean and their Myspace player creates excellent ambiance for the whimsically sleepy.

Check them out here;

http://www.myspace.com/camerasband

From The U.K to Kalifornia - The Subways

2008-11-05T22:38:00.000-08:00

Ladies and gentlemen, I write to you from a grimy train on its way to the often-misunderstood Gosford City, and often referred to by me as, well G-town. Fortunately, this entry is far more appealing!

The Subways. I love them, I love them.
They played at Big Day Out in January 2006 and because I was ignorant enough to make no effort due to unheard sounds, I missed them. In Early March I heard a song in Sanity that just grabbed me. I had to have ‘Young For Eternity’. So in saying that I confirm that yes, most advertising does work on me.

I took the record home and sure enough, every other song rocked me. I was going through a messy break-up at the time and though I had learnt the singer was actually engaged to the saucy bass player, they touched the torture and frustration of love so bitterly, I could just relate.

The raw energy of ‘I Want To Hear What You’ve Got To Say’ still executes me. Though that time in my life had passed and that angst of someone not loving you back had disappeared, I can still feel it in my stomach.

The 2006 release suffered an extreme case of high rotation and received plays from multiple car stereos, which resulted in the loss of the disc, leaving me only with the case. Nothing burns me more that a scratched CD. Utter disrespect to a rarity, some people feel the same, someone I know would burn copies of all his records for the pure suicide of the disc traveling. He also hated this CD, which doesn’t surprise me it was his car it disappeared in..? Hmm.

Other than the plays it amounted from moi, The Subways remained frightenly quiet in Australia. Hailing from the U.K, I often questioned if they’d be back and when the news broke of the split between Billy Lunn (guitar/vocals) & Charlotte Cooper (bass) honestly doubted another record let alone a show.

Thankfully, the two somehow (and I just don’t know how they could be in a room together let alone a band) co-wrote music throughout the break-up and produced the new record ‘All or nothing’.

It amazes me and I can hear the pain in songs like ‘Shake Shake’. You can witness the need for attention yet the anger. The lyrics “I got a need to feel so I shake, shake! You got a problem with me say it” that run over an angry riff personifies the hostility not only in the band during the split but even the relationship itself.
I just love the repetition of “I COULDN’T CARE IF WE LOSE”. And I can’t help to think if this was penned in the event of the demised union.

I just fucking love these guys and I’m normally anxious of Vines’esque follow-up but the U.K kids have prevailed and are coming to Australia in 2009!

I will die.

Im Not Dead.

2008-11-05T21:59:00.000-08:00

No, not the p!nk record, just me.

Little old blog abandoner, you know, I'm sorry. lalala.

I've been such a busy bee and I'm not over you and I'm not full of fat excuses.

I have some stuff to go up on some hot bods like Cameras, The Vines, The Subways and general tirades of rubbish.

However until then, in case you hadn't already, here are some of my MTV articles you might just like ;)
Music Industry Support Obama
http://www.mtv.com.au/news/946/
The Smiths to reunite
http://www.mtv.com.au/news/930/
Award smoes
http://www.mtv.com.au/news/906

Click here for my MTV story on Digital Distribution + Radiohead!

2008-10-08T00:14:00.000-07:00

http://www.mtv.com.au/news/895

:):):):)

Still here! Promise!

2008-10-07T03:26:00.000-07:00

Hey lovely boys and girls,
So I have been lagging with the posts buuut there will be some coming up!

If you don't already know, I have been writing for MTV.com.au in the Digital Media department, so if you see an article by one Samantha Dickson or Samantha Miller (pen name)in the news section, that would be moi.

I also went to Parklife on Sunday, which was a big fat bag of fresh dog shit.
I have never actually been to a festival which was predominately sweaty men playing records and people popping drugs. Can't say I will repeat this, though I did purchase a Field Day ticket :S

Who I did catch, Papa VS Pretty, Art VS Science, Grafton Primary, Ajax or what I could hear, steaming dog shit ... and then Peaches who blew me away. I will write a more detailed entry about them all but basically I just learnt that "house" music isn't my bag, and either is the scene, really, people should take more drugs... they look amazing!

Crouching Coast, Hidden talent - FIREROOM.

2008-10-01T20:43:00.000-07:00

During my time trapped inside the beached in confines of the Central Coast, I actually got to discover a few things.. A) Nothing news worthy goes on here, and B) We actually breed some gutsy rock ‘n’ roll!
The definition of “rock” is fitted and used loosely to a lot of acts these days and I don’t know if it even has its own genre these days or if it is simply sub crossed? Like oh, pop/rock, electro/rock or even ghetto/classical/house/rock/alt .. who even knows yeah?
To me, rock is the sound of beer.. yes, beer.. Sticky floor, dark flavored wood and red carpet pub accessory. Maybe it was the way I was brought up, or maybe it's just Australian rock as I like to see it.

Upon thought of this solid genre disappearing all together, I did pay attention to a little Coast gig that I've seen progress and take a few shapes over the past two years.
Now when they first caught me by the ears, they were a 3 piece titled Deep Water, Kurt Ellis Manning vocals and guitar, stealing the show.. There were two other guys playing drums and bass though they have since moved on. The bass player, I think his name was Pat, had trouble not being the focus of the band and it was like watching a three year old getting jealous of a newborn. Ellis always delivers. Writing all the songs and even playing the guitar behind his back! Outrageous.

When you hear the songs, you think of driving through the outback, summer, warm beer and probably early 90's mixed with the riffs of the 70's. With influences like Hendrix also evidently a solid Elvis undertone. It's classic ultimate music for men. The sound is an interesting mix, vocals are classical and similar sounding to those of Elvis, actually almost exact and the riff is catchy backed up wit a touch of funky bass lines.

Now what appears to be just Ellis and a few temp guys have just finished recording in Brisbane with Chartsong Productions (The guys that brought you The Veronica's) and recording their percussion's at the famous Albert Studios Sydney. Is something brewing here?

My only criticism is towards their track "Oh My Darling" which you can listen to on their Myspace Music Player, is that it is simply too "old school". At the end of the day, if you're an artist, you want people to hear or see you in some kind of commercial domain, and to be honest, this will never be on radio. It would appeal to those of you who crave some 50's do do's and whoa's but this isn't rock. Not a bad song, but it is just too retro for my style.

My favourite is Mullumbimby Madness. Good rock 'n' roll. Not utterly lyrically genius, but everything a good song needs.

I see a bright future for Ellis, pure talent.

Click here to check out the sounds of FIREROOM!

Sparkadia Support Faker @ Enmore

2008-09-21T21:31:00.000-07:00

So after picking up my tickets, my plus one calls me in an apologetic rage, something about two hour bus rides from Bondi, who knows? But basically is running late.
In this time, my brain is exploding from stress, trains, no trains, cabs, traffic and phone calls. So whilst I'm regrouping out the front of The Enmore Theatre, I have some time to observe the crowd and oddly need a cigarette, what's that you say? You don't even smoke? I know!

Note to self; in next life, start easy listening Indie/Pop Band = gets girls, lots of them and underage ones too! You'd be hard pressed to find someone old enough to vote, let alone old enough for any of these guys (who prefer) to bag. So all in all it was your average underage gig, this part I had forgotten about.

Even though I am late, the kind people at Sparkadia were nice enough to give us standing tickets, which I didn't expect.
Did I mention it was at least 100 degrees outside? Sweaty Youth in slogan T-Shirts. No doubt Mothers are waiting in cars just blocks away.
By now, I look like either a scalper or a hooker just wallflowing against the promo signs, though my night gets immediately cooler when Alex (the front man of Sparkadia) calls me himself to see where I'm at. First I'm like "SHIT MICHELLE HURRY UP" thinking I was in trouble, though quite the opposite. He kindly tells me it's okay and I can just hand out some flyer's after the show to make good. Sounds good. Be cool, hand out a flyer and also stop talking when he tells me he has to finish his dinner now, haha. Sam, Sam, Sam.

So when I make it inside, there is some nu metal hip hop type thing going on. The guy claims he is homegrown and a proud Sydney sider, though his American accent throws me, could be because I had had a few vodkas but I am kind of confused all the same.

Soon enough, Sparkadia take the stage, just affront a projected image of Mr Lion, who is featured on the cover new record 'Postcards'. Their sound floods the room, but I still compare it to their free show, which I snuck in through the back door due to full capacity at The Annandale. The echos always get me but I am disappointed with the lack of response from the full room. They're great, they sound like no one else, and Alex's voice is so classical yet it works wonders for their sound. I just genuinely love their music. They four piece played all their hits and closed with 'Animals' featuring a fun little instrumental at the end. Now, with love, the instrumental wasn't as smooth as I would of liked it to be, but it was pulled off and Sparkadia went out with a bang, no doubt some fans were made if they were otherwise unaware of this smooth like honey talent.

Intermission.

Sam hits up Thai across the road with BYOB Verdi (NO CORKAGE! CRAZY) and gets all drunk and missed most of Faker.
Eh. I return, Enmore has admitted everyone, and whilst not full capacity, still jumping, even if it all 16 year olds.
Now, is it just me, or is Faker lead singer Nathan Hudson THE sweatiest dude alive? He is so theatrical in all physical performance, I almost expect him to break into liturgical movement. Not so lucky.
Hudson also states they owe their success to last years radio killer 'This Heart Attack' and kick into the song. It's true, at least they're grateful for the hit maker, no Cobain angst towards the mainstream and it's refreshing to witness an act be thankful for success outside an award speech slurred over vodka breath.
Closing with 'Hurricanes' & 'Quarter to Three, the two songs I actually like, they did okay and I move towards the door to do my flyer duties.
Surprisingly almost everybody picked up a little flyer, suggesting Sparkadia generated a great response that night and I decide to offer one to the band members in jest, these guys are just cool. Do rate the sounds and the girl and guys themselves.

The rest of the night, not so clear but buy 'Postcards', it is probably one of the most consistent solid records this year.

Check the tour dates and beats below!
http://www.myspace.com/sparkadia

Clip of My Week; Striken City - Tak O Tak

2008-09-19T19:41:00.000-07:00

Am I onto something?

Just fun time chic.
I like the drummer. Cute.

Am not..

2008-09-17T21:10:00.001-07:00

Attending Coaster this weekend, I know. Traitor. :(
But take some photos, tell me who did what.
I am the worst music blogger right? No, not entirely.
Miss Blog scored some freeeee tickets to Sparkadia & Faker @ The Enmore, unfortunate timing, honestly. But all the same, write me something about the festival (samtown@live.com) and I will post most comments if you like and to your credit.
Peace.